Pandemic Halloween totally sucks! Halloween is easily one of my favorite holidays. It captures all of the romance of autumn, along with all of the primal frights of life and death. Plus, there’s candy!
Worse, yet, for me is that this is my very first Halloween in New England…the primeval home of All Hallow’s Eve with its lore filled with witches, warlocks, devils and other medieval horrors imported from Europe.
So what do we do now that most reasonable people have called off trick ‘r treating to help protect the lives of our little ghouls and gobblins?
My top choice is turning out all of the lights, lighting a bajillion candles and reading Washington Irving’s “The Legend of Sleepy Hollow.” (Doing this around a fire pit is a good alternative.)
Yet, my second choice is diving into great horror movies. Pop some corn, grab a couple bags of your favorite candies and dive into spooky cinema. Everybody has their favorite, of course. And I firmly believe all kids should be exposed to the joys of the early Universal monster movies, such as “Dracula,” “Frankenstein,” “The Mummy” and “The Wolf-Man.” You can never go wrong with “The Shining,” but, my goal with these movie nights is to avoid the usual go-to films. It is time to delve into great movies you might not be as familiar with.
Horror movies fall into two groups for me. There are the genuinely scary horror films, and then there are the campy horror films. I grew up in a horror movie household. My mom loves campy horror, and my dad loves the movies that will keep you up all night for a week. I got to see them all. And it is funny to me how much movies changed for me as I got older. I was genuinely terrified of the campy horror films as a little kid, but now I laugh at them as an adult.
The key to really enjoying any horror movie is to suspend all disbelief and fall into its world for about 90 minutes. With that said, let’s dive in.
THE BLOB (1958): In Steve McQueen’s first movie role, a meteor crashes to earth near a small town. Teenagers discover the space rock with an old guy. The rock splits open to reveal a small gooey blob that begins eating the old man alive! Rushing him to the doctor, the blob goes on a ravenous rampage, oozing under doors, through vents and anywhere it wants. Is there no way for these good-hearted teens to “extinguish” its hunger? True story: I watched this for the first time when I was about 9 and lived in terror of the film for another 15 years or so. When it came on TV in my 20s, while I was visiting my folks, I tried to get out of watching it with them. “We think it might be a little different than you remembered it at age 9.” Okay, I watched it again, and I laughed at myself and the movie for the rest of the night.
THE Â TINGLER (1959): Vincent Price plays a scientist who discovers that each of us has a little creature living on our spines called a tingler. It feeds on fear and can kill you by crushing your spine if you don’t scream to release your fear. When he successfully captures a living tingler and it gets loose…well, all hell breaks loose. This was director William Castles’ classic B-movie where he rigged seats in movie theaters with buzzers to randomly scare the audience members. I don’t think this one ever scared me, but that doesn’t mean I haven’t loved it for all of my life.
INVASION OF THE BODY SNATCHERS (1956): Mysterious, human-sized pea pods start showing up at people’s homes. And as people try to make sense of them, the pods create a human clone of the person it was delivered to. Not sure what to make of these clones, the humans are reluctant to do anything about them, but the clones have no compunction about killing their humans and taking over their lives. A fun psychological thriller that is undoubtedly campy at times, but it can give you the creeps if you really let yourself become one with the film.
WAR OF THE WORLDS (1953): H.G. Wells’ classic sci-fi horror story comes to life in amazing Technicolor with this blockbuster. The world’s best special effects were employed for this movie when it first came out. Sure, they look a little hokey now, but I still love the terror imposed by the seemingly unstoppable aliens. The biggest laughs come not from the effects but the blatant sexism and condescending patriarchal nature of the leading men and scientists.
THE CHANGELING (1980): George C. Scott plays a man struggling with the loss of his wife and daughter in a tragic car wreck. Moving to a new town for a change of scene, he rents an old mansion that is already inhabited. To this day, I will contend that this is the most frightening ghost story ever filmed. I love it! I’ve seen it a dozen times, and it still raises the hairs on the back of my neck.