Tag Archives: Waterman Phileas

Man Saves a Life Using Pen

We’ve all heard the cliché that the pen in mightier than the sword. Typically it refers to truth, ideologies, satire and propaganda changing the world. Rarely is the pen thought of as a tool for physical action and derring do.

Buuuuut, today’s heroes are one tough pen and the man who wields it to save lives. Meet Colin M. a paramedic with a passion for pens. A longtime customer of ThePenMarket.com, we’ve struck up a friendship via e-mail, and when he told me what you’re about to read I couldn’t keep it a secret.

TPM: Hi, Colin. Welcome to “Drippy Musings.” I know that confidentiality prevents you from saying anything that would identify your patient, but please tell us about how you used a pen to save somebody’s life.

Our friend and customer Colin M. is a paramedic and used this trusty brass Delike Alpha fountain pen to save a woman’s life.

CM: A few months ago, my partner and I were responding to a 911 call about a car that had ran off the freeway and crashed into a tree. We arrived before the fire engine, so I decided to head in and assess the scene while waiting for fire and rescue. I approached the car down a fairly steep embankment. It was not heavily damaged, but it was wedged tightly into the brush and the doors would not open. I attempted to contact the driver and noticed that the patient, a woman in her mid 40’s, was not conscious. I banged on the window, hoping to rouse her, but when it was clear that she was unconscious, I checked to see if she was breathing and did not notice any chest rise. I reached for my spring glass breaker (We try to avoid popping glass, as it goes everywhere and can injure a patient, but when the patient isn’t breathing or conscious, the decision was made for me) but when I brought it to the window, the mechanism jammed and I could not get it to fire. There were no large rocks nearby, and we do not carry heavy rescue tools in our ambulance. I was down a steep embankment, my pocket knife was not a safe tool for the job, so I grabbed for the only thing I had available, the brass Delike Alpha in my pocket. I didn’t know if it would work, but I had to try. I pulled it out and placed the diamond tipped dome shape in the lower corner of the window and struck it several times as hard as I could with my hand. (Wearing duty gloves, this still hurt like hell.) On the eighth or ninth hit, the glass gave and the window shattered. I was able to climb in through the window, and when I opened the patient’s airway, she began breathing on her own. I held her airway open until heavy rescue arrived, and we were able to extricate her by cutting the doors, themselves, off. We wound up transporting her to the local hospital, and so far as I know, she survived the accident. I did not expect my pen to even work, much less survive, but much to my amazement, the thing still caps and uncaps just like normal and writes just fine!

TPM: Why did you originally get that pen? How did it become your daily work pen?

CM: Originally, I got it because I saw Chris on his youtube channel, Chrisrap42, showing it off. I liked the “bent nib” it had and was curious. I had a Kaweco Sport and really hated how short it was when unposted, also didn’t like the nibs much. I wound up really loving how hefty it was, the quick cap/uncap, the smooth pseudo-architect nib, it could take a proper converter and that it could be used posted or not. That extra centimeter of length really improved on the design that was obviously stolen from Kaweco, and the fact that it was rounded made slipping it into my uniform pocket very easy. I drop my pens from time to time on duty. I get into wrestling matches with crazy patients and have been kicked squarely on the breast pocket pen before, which resulted in a ballpoint ruining a shirt. The Delike really took the beating and kept coming back for more. It’s got a plastic insert for the threads, but it’s smooth and has proven to be able to survive multiple full-force strikes when held against glass, so I genuinely can’t think of a better pen for the job.

TPM: What was it that first got you into pen collecting?

CM: I remember being 8 or 9 years old at an office supply store, seeing a row of Waterman Phileas’s in the case. I begged my dad to buy one for my mom’s birthday (They were around $80 back then.), and she used it for years. I used dip pens in art during high school but never really got into fountain pens myself. I started making pens in my dad’s wood shop and selling them, and kept a nice little one I made from some thuya burl and would use it on occasion, always growing frustrated with the fact that it would dry out and skip constantly. But when I started back in school, I was bored one day browsing Amazon and noticed that I could get a Pilot Penmanship for about $5. So I bought one. And it didn’t skip. It didn’t dry out. It wrote amazingly. Then I bought a Pilot Metro and shortly after bought my first two vintage pens from you, a 50’s Sheaffer Craftsman and an American Pencil Co. Venus. I’ve been spending more money than I should ever since.

TPM: Off duty, what are your favorite pens? Why?

CM: The pen I reach for on a daily basis more than other is probably a heavily customized TWSBI VAC700R made by Pablo at FPnibs.com. It’s got a monster flex XXF 14k nib and custom feed, and I love using it. Also like to take my Visconti Homo Sapiens Bronze Age around. When it comes time for a final exam, my “good luck” charm is my mom’s old Waterman Phileas. It’s battered. It’s brassed. It needs restoring. But it writes like hell after over 20 years in her purse (I’ve since upgraded her to a Pilot Custom 74 with a 14k music nib). If I am going somwehere and need to show off a little, the Mont Blanc 149 I purchased from you.

TPM: What do you like to write about? Why?

CM: Right now, most of my writing is either in patient charts or writing extensive notes in class. I find it a good experience to help practice my handwriting and cement concepts from class. Right now I’m reviewing EKG interpretation over the summer. I also practice learning Spencerian and more ornamental penmanship using dip nibs and my monster flex TWSBI. This thing is genuinely about as soft as a Comic G nib.

TPM: Tell us some of your favorite inks. What do you like about them?

CM: I like inks that don’t smudge. Smudging drives me nuts. My favorite is hands-down Noodler’s Black Swan in Australian Roses. It was my first bottle of ink. It’s both vibrant yet professional, and the black component to it is Bulletproof. I’ve got about 120 bottles of ink these days, not including samples, and it’s hard to choose favorites. I love Noodler’s Dark Matter because of its historical roots. I love Pilot Blue/Black because it’s 350mL for $20 and just always behaves, and I love good old Waterman Blue because it’s a lot more vibrant than people believe. Lastly, there’s the Goulet exclusive, Liberty’s Elysium, a permanent ink that I don’t think could possibly be more blue. I am honestly more into inks than pens themselves, I use them in all sorts of projects and recently used three to stain some shelves for my wife.

TPM: Thank you for sharing your story with us and for keeping us safe with your pen collection!

Pen Collector Profile: Nan Sampson, Author

For the longest time, dead people were the sole focus of our “Famous People & Pens” series. Then I got it through my thick skull that many of our living customers are actual working writers, and…HEY!…why not profile them and their work?!

There is a reason I was never hired as a rocket scientist by NASA.

Starting today, I will profile the first of many writers and famous, or soon-to-be-famous, people who love fountain pens and other luxury writing instruments. I will absolutely continue to find the stories behind historical figures and their favorite pens, but my live interviews are hopefully going to rock your world.

Nan Sampson, author of Restless Natives, ponder's her next story idea while holding her Waterman Phileas fountain pen.

Nan Sampson, author of Restless Natives, ponder’s her next story idea while holding her Waterman Phileas fountain pen.

Without further ado, let me introduce you to Nan Sampson. Nan has just published her very first novel: “Restless Natives.” It is a murder mystery that is now available for a Kindle download on Amazon. Her book released last week. Although this is her first published novel, she has been writing for her entire life and is a marketing executive in the Chicagoland area.

As a pen collector, she has a penchant for Waterman and Pelikan pens. She also has a thing for green Sheaffer’s Scrip from the 1950s.

DRIPPY MUSINGS: Hi, Nan. Welcome to ThePenMarket.com’s Drippy Musings. How does it feel to have your first novel published and available on Amazon?

NAN SAMPSON: It is amazing.  A lifetime dream come true.  Although the biggest realization has been that now that I’ve had my moment of celebration, the work goes on.  Book two in the series awaits, plus I’ve other projects lined up, like planes circling O’Hare!

DM: Tell us a little about “Restless Natives.”

NS: It’s a cozy mystery, set in a small fictional town in southwestern Wisconsin.  Oddly enough, the main character used to be a marketing executive in Chicago.  Hmm…  Seriously, though it’s a lot of fun, lots of quirky characters and a rather odd murder.  A poor fellow gets tarred with pancake syrup and covered with chicken feathers.  Oh, and gets a great bloody knife in the chest, too.  Details…

DM: Where did you first get the idea for this book?

NS: I’ve always wanted to create a series set in a town that I’d want to live in, like Long Piddleton (from the Richard Jury novels by Martha Grimes) or the village of Finch (from Nancy Atherton’s Aunt Dimity series).  A place readers can escape to, filled with familiar faces and quirky problems.  And having spent a great deal of time in southwestern Wisconsin and meeting great people there, it just sort of fell into place.

DM: Every writer approaches their job differently. What is your process? What is your motivation?

NS: My motivation. [chuckles]  ‘I’m ready for my close-up now, Mr. DeMille.’  I’ll tackle process first.  I’m a life-long “panster” — meaning I do things by the seat of my pants.  I’m not one for long outlines — I find in creating those, I feel like I’ve “done” the book and I lose my enthusiasm.  So I start with a beginning, figure out my ending (although it can change during the actual writing process — it’s more of a direction to head in), and usually have a couple of juicy scenes in the middle that I’m anxious to write to keep me going.  Rewrites can be a bear as things are pretty loosey-goosey and the story I start out writing is often very different from the one I end up with.  It’s hard for me to see the whole of the tapestry until I’m finished with it.  So I’m not sure I’d recommend my process to others.  But it works for me.

My motivation?  Gosh.  Being a writer, telling stories, making up worlds and characters and languages and stuff…that’s just who I am.  I don’t know how to be any other way.  I cannot imagine living without doing those things.  It will be great to get paid for it, but I’d be doing it anyway, even if no one ever buys my work.  I love it.  But I’m also not one of those writers that thinks earning money will “cheapen my art”.  Please – go out and buy my book!  In fact, buy several copies and gift them to your friends and relatives at the holidays!  I have a child to put through college. [Laughs]

DM: How did you get into writing? Were you always a storyteller, or did you cultivate this interest over time?

NS: My mother said I told stories to my stuffed bear in my crib.  That is, perhaps, a slight exaggeration.  But I cannot remember a time when I wasn’t concocting stories in my head, trying on different personas and pretending to live other lives.  I believe clinical psychologists call that a “personality disorder”.  Or maybe delusional.  Either way, I guess I’m okay with that. [Laughs]

DM: Who were and are some of your biggest influences as a writer? Why?

NS: Oh, that is a long list.  I’ll try to just cover the biggies.  First and foremost was Roger Zelazny.  He was brilliant, innovative and knew the rules well enough to break them in clever, ingenious ways.  Carl Sagan and Asimov are up there too — they were both genius at taking complex subjects and making them both accessible and interesting to the ordinary person.  I cut my teeth on Dorothy L. Sayers and Agatha Christie — the grand dames of the cozy mystery.  I love [Sir Arthur] Conan Doyle, too.  I always have Holmes with me on my Kindle — a go-to for times when you just need the comfort of the familiar or a great character.

From a more contemporary perspective, I’m totally in love with Gini Koch — she has this wry humor, but knows how to keep the action flying as well.  Lois McMasters Bujold is also fab and taught me all about character arcs and unlikely heroes.  And I’ll read almost anything by Glenn Cook — more dry wit.  Gosh, most everyone I’ve mentioned is either fantasy or science fiction. I do read a lot in those genres.  James Rollins, action/adventure, is the master at interweaving story lines and pacing.

How much time do we have? [Chuckles]  I’ll stop there.  Suffice it to say I read widely.  But Roger… well, Roger was a god to me.  He taught me that my crazy ideas were okay.  He was simply amazing, and highly under-appreciated.

DM: Do you compose longhand or on the computer?

NS:   I compose on the keyboard.  I need to be able to type as fast as I think.  Revision is done long hand, and I make all my character notes and so forth in pen.  I do a lot of brainstorming and idea mapping by hand, as well.  And yes… all in green ink.  My fingers are always stained with green.

DM: What are your favorite pens? Why?

NS: I LOVE my Waterman [Phileas].  The barrel is wider, so my fingers don’t cramp, and it has a really smooth flow.  I hate scratchy pens.  My handwriting is atrocious. Only my best friend can read it, and I write very quickly.  The pen needs to be able to keep up and not skip or scratch along the page.  And of course, the barrel has that green marbling — the green thing again!  The one I have my eye on from your website it that gorgeous vintage 0655 Conklin Endura.  Wow.  Stunning. Love the coloration of the barrel.  But unless a whole bunch of your fans and friends buy my book, that’s a wee bit out of my league.

DM: How did you get into fountain pens?

NS: My pop used to take me to auctions and estate sales when I was little.  Back in those days, when dinosaurs roamed the earth, there were always three things you could always find in large quantities — old keys (you know, skeleton keys), raggedy stuffed animals and fountain pens.  You could buy them by the box!  I would always get to buy one of each (kept me pacified, I suppose).  I’d bring along a notepad and scribble (without ink of course) with the pens, pretending to be a famous author giving my autograph to the stuffed animals.  There’s something magical about fountain pens that make you think anything is possible — they’re elegant and old world and for some odd reason they give me a sense of confidence.  Of permanence.  I guess I’m a bit old fashioned — heck I still have an old Underwood typewriter that I bang on occasionally.

DM: What types of ink do you like best? Why?

NS: I’m not much of an ink snob.  But I don’t like a lot of smearing (it’s always getting on my hands) so a quick drying ink is good.  And it has to flow smoothly and not clog up my pen a lot.  But most importantly, it has to be green.  Emerald green.  I’m open to recommendations, O Great Pen Guru. *nudge nudge wink wink*

DM: Okay. So, I know the ink is barely dry on “Restless Natives,” but can you tell us a little about what to expect next?

NS: No rest for the wicked, you know.  The physical copy of “Restless Natives” is coming soon (probably a few weeks) and the second book in the current series is written and awaiting revision.  That one is slated for publication in January, gods willing and the river don’t rise, as my Gran would have said.  I’m also working on a fantasy novel, and have the bare bones of a second mystery series set in a haunted bed & breakfast.  Oh, and then there’s this idea I had for an adventure novel set in the ’20s (a la H. Rider Haggard and Indiana Jones) only with a woman heroine.  Like I said earlier, I’ve got more ideas than time!

DM: It has been a pleasure speaking with you, Nan. Thank you for taking the time to share your thoughts and pen passions with us at Drippy Musings.

NS:  No, thank you!  It’s been a joy sharing with you, thanks for inviting me.  And as soon as I sell enough books, we’ll have to talk about that Conklin!

Be sure to check out Nan Sampson’s book “Restless Natives” at Amazon.com. It is a fun read, and a great summertime escape while you are lounging by the pool or chillin’ in the shade.