Tag Archives: Montblanc

Fake Mont Blanc Pens Part IV

By on December 1, 2022
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Some days you just never know what you will find. Someone reached out to me with a collection for sale, and they told me the original owner was an avid Montblanc collector. Naturally, I was curious to see it. It didn’t take long to assess that this person had a huge collection of fakes. Sadly, they probably didn’t even know they had fake pens. Then again, maybe that was a good thing, as they were very happy with their collection until the day they passed.

This first batch of fake Mont Blanc pens has some really convincing models.

The fascinating thing to me was how some pens were extremely convincing, others were pretty obvious and some invented designs looked better than actual Montblanc pens! It was quite an education that I hope to share here.

In this first photo is a recreation of the Mont Blanc Writers’ Series William Faulkner. It (the bottom pen) looks very convincing…even better than the real thing, as the real pen’s color is a Spanish moss green-grey, and this knock-off pen is a cinnamon brown. The white pen behind it looks just like a Montblanc Tribute to Montblanc ballpoint. Only the real one has the exact same trim in a platinum plate not gold plate. Otherwise the serial number, Pix, small details were all identical. The red pen behind it looks just like some of the special edition MB pens that looked like the original safety fillers. However, the modern MB tribute pens were never made in red. I actually kinda like the red more than the official versions. The golden one in the back will look convincing to a novice, but on really close inspection the black cap bands were poorly painted on, and the black tail isn’t something an actual MB would have.

This second selection of false Montblanc pens shows is a little less convincing.

This second photo of fakes is also interesting. One of the things Montblanc does is make special or limited runs of slight alterations to its primary “Classique” design. Clever scammers can play on that variety by making their own unique version. Yet, with any experience with Montblanc pens and a little help from a search engine online will quickly reveal designs such as these four to be fake.

I don’t know the technical way to say this but the cap wring on the bottom pen is just worn wrong. The gold plating doesn’t wear like that on heavily used Montblancs. Plus, all of these pens have black bands around the cap bands when the pens are not black. Real Montblancs would have the black lines above show as the same color as the rest of the cap and/or remain gold. The bottom two pens might not show it in the photo, but their color and finish is far too cheaply made to be a real Montblanc. Also, not visible in the photo, some of the 6-point mountain top logos/stars are either rubbing off or poorly painted or unevenly inset into the caps. The black tails on two of the pens are another indicator they are fake.

These final two pens are much more egregiously impersonating Mont Blanc.

These final pens stretch the boundaries of faking Montblanc. The closer pen looks like it could be a pen from the 1970s, but MB never had a model quite like that…and it didn’t fit Montblanc refills. The distant pen has the outline, shape and clip of a Montblanc, but it doesn’t have the logo. Maybe technically it isn’t a fake Montblanc, but in all other ways it tries to look like Mont Blanc.

I hope you’ve enjoyed this latest segment looking into the wonderful world of fake Montblanc pens. With any luck, it helps you avoid the pitfalls of the stunningly large market of counterfeit pens.

Whoa! Montblanc Inks…Beware!

By on January 11, 2022
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Happy New Year, everybody!

Sorry for the long absence. December and early 2022 have been quite the rollercoaster. Happily, all is well now, and we hope to be back to rockin’ and rollin’ the ink-o-sphere.

Wow! Three months in the sun fades the pigment right out of modern Montblanc inks. Mont Blanc ink burns worse than I do in sunlight.

The biggest shock to me in Dawn’s and my ink tests comes from Montblanc! At $26 retail for a 60ml bottle of ink, you’d think you’d get something close to perfection…especially with the company’s luxury marketing! It is worth it to do a little math here. A 60ml bottle of ink at $26 per bottle means the price of a single milliliter of ink is 43¢. A U.S. gallon is a shade over 3,785 milliliters. Ergo, a gallon of Montblanc ink costs $1,627.55! A gallon of gasoline here in Norwich is $3.39, and a gallon of milk can be found for $4.29. It will seem as though gas and milk are a better bargain, especially after these results.

Now before you start thinking I’m being completely unfair to Montblanc, I’ve always liked its ink. At pen shows I use it as my test ink for anyone wanting to dip a nib to try out a pen. When people asked me what was one of the safest brands of ink…based on no research but word of mouth around pen shows…I’d usually tell them they could trust Montblanc best.

I hereby rescind that proclamation of safety. I got my first wind that trouble was in the air when a customer returned a pen to me after only 3 or 4 months of use with Montblanc Mystery Black ink. Its rubber ink sac had melted. At the time, I thought that was weird and worried the customer had used something far more toxic and then tried to cover it up with Montblanc Mystery Black. Nope. I doubt that now.

Back in July, 2021, I stuck a sample of 8 new bottles of modern Montblanc ink swatches in my sunniest window. These inks included: Oyster Grey, Midnight Blue, Irish Green, Toffee Brown, Royal Blue, Lavender Purple, Burgundy Red and Mystery Black.

After only 3 months in the sun, nearly all faded out! Royal blue turned a faded green. Irish Green and  Lavender Purple almost went invisible.

When Dawn and I tested the fresh ink’s pH, we were equally surprised. For a quick chemistry refresher. Everything is measured in pH on a scale from 0 (extremely acidic) to 14 (a base that is extremely alkali). 7 (distilled water) is perfectly neutral. We calibrated our pH tester at 24.6ºC.

Here are our results from the Montblanc ink pH Test:

Mystery Black          4.3
Royal Blue                3.8
Burgundy Red         4.8
Midnight Blue         4.2
Irish Green               3.9
Oyster Grey              3.9
Toffee Brown           5.6
Lavender Purple     3.8

All of these inks are quite acidic. Blue and black inks are supposed to be the safest inks. They are very acidic in Montblanc! Now, we aren’t chemists. We do not know how the chemistry between the ink sacs, pistons and converters interacts with the ink. Yet, this raw data casts doubt on the safety of Montblanc ink. Perhaps it is the special “cleaner” Montblanc uses to keep inkfeeds clear that is to blame for the acidity. The company recommends only using MB ink in MB pens. Perhaps there is more to that than just their greed of simply wanting to sell more ink.

As we still have a few of the old bottles of Montblanc ink from the 1990s, we didn’t do a UV test on them, but we did a pH test and it was even worse.

Black          2.2
Turquoise 2.8
Red            6.5
Green        3.0

Maybe you’ve had great results. I certainly don’t want to ruin your faith in Montblanc ink, if it has always worked for you. However, it might not be the gold standard I once thought it was. The information here is simply raw data, but it seems striking.

How Do I Start Collecting Pens: Fake Montblanc Serial Numbers

By on May 20, 2021
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This is one of the most convincing fake Montblanc fountain pens we have ever seen.

After 14 years in the pen business, I have just encountered one the very best fake Montblanc pens I’ve ever seen. It came with a collection of vintage pens for appraisal. I had been told it was a Montblanc rollerball, and it looks very much like a Montblanc Classique. The appraisal customer told me it was a LeGrand.

A quick inspection showed it had a serial number in the clip band, Pix written under the clip, perfect cap band nomenclature. It came with a convincing box and set of papers!

My first clue something was wrong came when I tried taking off the cap. A true Classique has a slip cap. This cap was threaded…and LeGrands are supposed to be threaded…though this pen was too skinny to be a LeGrand. Open the pen, and it took an authentic Montblanc rollerball refill. But, inside the barrel was a metal threaded space when there are no metal threads in an authentic MB Classique. There was so much right and wrong with the pen.

That’s when my brilliant fiancée recommended searching the number on the clip band.

EN1340798 is one of the most frequently used serial numbers on fake Mont Blanc pens.

Lo and behold, this pen turned out to have one of the most faked numbers for faux Montblanc pens: EN1340798. Research quickly showed it on fountain pens, rollerballs and ballpoints.

In a security fail for the actual Montblanc company, they don’t track their serial numbers. As such, many, if not most, MB serial numbers are not assigned to a pen owner or provenance of any kind. Montblanc has even acknowledged that sometimes it reuses serial numbers! Ironically, this makes the very security measures the company uses to authenticate its pens that much less secure.

In an effort to help separate the real pens from the fakes, please write in the comments section any other serial numbers you know to be fake. Thanks!

Pen Collecting Time Capsule

By on April 14, 2021
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Here are two 5″ X 7″ pen catalogs from 1994! I was intrigued by the Menash catalog as I don’t know what became of that company.

Leaving the pen-collecting life behind, a friend of mine has given me his stash of catalogs and advertising from 1992 through 1994. Its contents blew my mind.

Most of the material was from 1994, the spring I graduated high school. While it is difficult for me to comprehend that was 27 years ago, what is harder to comprehend was how big pen collecting was becoming that long ago!

I found my first fountain pen in 1985 when I was 9 and adored it. It belonged to my late grandfather, and it still worked: a 1928 Sheaffer Lifetime Balance. I used it until it finally broke down, and I became obsessed with finding other fountain pens. They just didn’t exist. Not in my 10-year-old world or the various circles I moved in. I asked adults for them, and all the adults laughed and said they threw their fountain pens out years ago because ballpoints were “so much better.” Even then, I knew that was heresy.

Sheaffer sent me an Imperial to replace my grandfather’s pen, which they could no longer fix. I snatched up those terrible Sheaffer Student Pens at the grocery store. Yet, I was the only person of any age I knew who loved fountain pens. Studying German while in a San Diego high school, my teacher told us that most German kids and adults still preferred using fountain pens. San Diego had no pen stores that I knew of, and the internet did not exist. I worked a part-time job and saved most of my money to pay for my trip as an exchange student to Germany. Most of my fellow American exchange students saved up their money so they could drink heavily in a nation where the drinking age was 16. I begged my German family to be taken to a proper stationary shop. I gleefully purchased a stub-nibbed elegant black Rotring and a bottle of Pelikan royal blue ink. I wrote with that poor beast until its threads wore off. It wasn’t until the internet got more advanced that I could search for fountain pens and finally start finding them in about 2005.

A 1992 edition of “Pen Finder” by Glen Bowen.

And sooo, it surprises me now to see that while I was searching the world over for fountain pens, there was a ground swell of people who did still love fountain pens…and vintage pens, at that! Plus, many of the people I know on the pen show circuit were innovators of the vintage pen revival.

For example, when I first met Glen Bowen, I did not know he founded “Pen World” magazine. He had already sold his stake in it, but his wife Susan was still the circulation director at Pen World. She and I bonded over the fact she went to journalism school at Northwestern with my father. When she later introduced me to Glen, I thought he was just a pen newbie helping his wife at the Pen World table. Ooops!

In this stack of publications is a protean “Pen World” magazine catalog he published in 1992 called the “Pen Finder.” It was printed at the same time as the early “Pen Worlds” but was a catalog of vintage pens he restored that collectors could buy. You had to subscribe to it. There were simply several glossy photos of capped fountain pens and some inner pages that served as an index of what the pens were and how much they cost. No nib photos. As people didn’t yet know the history of the pens as well then as they do now, I think I even spotted a few pens with mismatched caps and barrels.

The catalog index of pens for sale in “Pen Finder.” Back then it was too expensive to print color on every page of a magazine. As such there would be color pages and B&W pages.

Without the internet, vintage pen research was a slow and ongoing process. So many of those early collectors had to do their own research into the histories of pens. And much of that was very hit and miss. The internet really made it easier for everyone to get together and compare notes and research.

I love the low-tech feel of these publications. The world-famous Fountain Pen Hospital vintage pen catalog was just a photo-copier copy of pens and prices. Bexley Pens advertised new models with a beautiful glossy photo paired with a home-printer list of features and benefits.

The more professional catalogs for new merchandise were more sophisticated, but I sure as hell wish I could get my hands on some of this Montblanc and Omas at their original pricing. Brand-new, factory-fresh Montblanc 164 Classique models for $99. Omas fountain pens for $325 to $100! FPH was selling a stash of 14k gold #5 Waterman MUSIC NIBS for $50 a piece!

Vintage pen prices were all over the map. There were rare pens for $100 or $200. Really common pens for up to $800. And, yet, other pen prices haven’t changed. Standard Parker Vacumatics went for around $125.

Ads for the Bexley Giant. Note the glossy one-page sheet paired with a home-printer fact sheet. That was not unusual advertising back then. It was fairly slick and affordable.

When I finally got some guidance from my buddy Hans who taught me about vintage pens and how to repair them in 2005, I felt like we were the last two people on earth who loved old fountain pens. With his instructions, I felt as if I was somehow reinventing the wheel or reviving a long dead religion. Yet, this is evidence I was never truly alone back then. I was just searching in all the wrong ways and places.

It is easy to be glib and say, “Oh, gee, I wish I knew in 1994 what I know now.” While that wouldn’t be untrue, I really wish I knew my pen tribe then and could take the journey with them to where we are today. Fountain pens have always brought me joy, and they clearly bring many other people joy. And while I am very happy we have found each other in this grand and glorious age of the internet, it would have been nice to have learned and shared at an even earlier age.

 

Identifying More Fake Montblancs

By on January 31, 2020
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We recently received two more great examples of fake Montblanc pens from a collector to share with you. As you might recall, we wrote a much more extensive piece about identifying fake Montblancs in a piece we called: Don’t Be Fooled by Fake Mont Blanc Pens.

This time we are just going to showcase the features of these two specific fraudulent pens.

A close inspection of this pen reveals that it is a reproduction of the rubberized Montblanc Starwalker fineliner pen.

Up first is meant to be a rubberized Montblanc Starwalker fineliner. At a glance, it looks like it could be the real thing. BUT! A closer inspection proves it isn’t. The first thing you can notice in real life, and not online, is that the rubber material is very sticky as it decomposes. We haven’t experienced that in the originals, but this is common in cheaper rubbers and plastics. Those cheap, 1990s Sensa office pens with the huge “ergonomical” rubber grips decomposed to a sticky mess all the time, just like this pen.

The biggest visual error you can spot is that the tail is black and not platinum or rhodium plated like the original.

We can’t get a good enough photo of it, but the floating star inside the clear cap topper is scratched.

Plus, there is no “Pix” written under the pocket clip. While that pocket clip does have a serial number, it is a two-part number with a gap between numbers, which Montblanc doesn’t do. Lastly, the pocket clip has a more obvious weld to the cap.

Pictured is a fake Montblanc Hommage à Nicolaus Copernicus ballpoint pen. Yet, to hold in real life, will easily prove it is not the real thing.

The other pen on today’s showcase is meant to be a copy of the Patron of the Arts Montblanc Hommage à Nicolaus Copernicus. At a glance to the untrained eye, it passes. It has what looks like the anthracite-colored lacquer on the ribbed body with potentially sterling silver rings. There’s what appears to be a diamond in the clip.

Yet, the real pens had a yellow diamond or green-yellow jewel, depending on which edition you had.

Again, in real life, this pen is extremely light weight. Sometimes experience helps, and, having held real samples of the Copernicus, this feels 2 or 3 times lighter.

Another big give away is that there are no markings on this pen. No serial number, “Pix” under the clip,” no limited edition number and no “Germany.”

It is difficult to see in the photo, but you can see the edges where the white part was glued into the black part of the logo. On Montblanc’s high-end pens, there are no seams that are detectable, and we think the original pen had a mother-of-pearl star instead of a white plastic star.

One sneaky thing the pen forgers got right is that it uses real Montblanc ballpoint refills.

The last big thing they got wrong is the company brand logo of the 6-point star or snow cap representing the mountain. This one is a soft plastic that looks odd in real life, and you can see the edges of the hole they glued it into on the tail. True Copernicus pens have a seamless logo that is lacquered over to look like one piece regardless as to whether it really is.

Last but not least is the box. We received two pens in one box that is made to look like a true Montblanc box. The differences are pretty obvious. Most simple MB boxes similar to this have a leather or faux-leather outer casing in black. This is a black paper case. On the inside the company name is poorly silk screened on with some black ink bleeding into other parts of the name/logo. Annnd, the pad that holds the pen is a cheap cardboard with a paper tray beneath it. The black leather Mont Blanc cases have a padded beige or tan cloth lining, which you aren’t intended to get underneath. Papers for the legit pens are stored between leather box and the outer cardboard box. Please see the picture of the fake below.

As always, we hope this helps you spot fake Montblanc pens in your quest for inky glory as a writer or collector.

Paper outside, poor silk screening inside and the wrong pad and under-tray make this Montblanc box an obvious fake.

How Do I Start Collecting Pens? Investing

By on November 15, 2018
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“How do I collect pens for investment?” is probably one of the most difficult questions I have to answer. Like all the investment prospectuses out there state, “Investing requires a degree of risk with no guarantee of success.”

There are several strategies that can help an investor looking to profit on pens, but it is important to understand several key facts before investing.

• The market for pens is constantly changing.
• Cashing out for a profit can be difficult.
• Even the most reputable retailers on earth don’t pay full retail for pens they are going to resell.
• Like every good drug dealer knows: “Don’t get addicted to your own product.”

RULE #1: Buy low, sell high. Sounds easy enough, but it doesn’t always work that way.

MINIMIZE SELLING COSTS: Most people love the collecting side of this wonderful hobby. They love the hunt, or they love using the pens. Yet, the first thing any investor-collector should think about is how they are going to offload their pens while getting their money out of them.

All of the major retailers online, such as myself, are looking for deals like any investor. If you have a rare pen that sells for $2,000, retailers like me aren’t going to pay you $2,000 for it, just so we can turn around and sell it for $2,000. Clearly, that is all risk and no reward for the retailer. And unless you found this pen for $50, you might be really upset if the retailer only offers you $1,500 or less for a $2,000 pen.

Auction sites and payment-receiving companies such as PayPal and Square charge any number of fees and commissions. These can quickly add up and dig into a substantial part of your profits.

Your best bet might be to sell your pens one-on-one at pen shows, in free social media listing pages or some place such as our Trading Post. We charge a one-time $5 fee for a single posting. You keep your pen and handle the transaction as you see fit. There are no other fees or commissions when you sell the pen. Just tell us it is sold, and we’ll delist it.

RESEARCH, RESEARCH, RESEARCH: If you are serious about investing in pens, knowledge is power. There are huge differences between why one pen might get an astronomical amount of money and why another pen that looks nearly identical wouldn’t. There are so many nuances that affect values. Plus, if you like modern pens…and even some vintage ones…you need to learn how to spot the fakes. Furthermore, it is critical to also research the trends in what is selling and at what prices it is selling.

Flexible vintage Waterman nibs such as these from the 1920s are in exceptionally high demand in 2018.

DAY TRADING: Okay. The market for pens doesn’t move nearly as fast as it does for “day traders” on Wall Street. However, if you know what is really hot on the market right now and know you can quickly find a customer who will pay full price for it, you can make a lot of money. The trick is to know the market really well and not hold on to the pen for too long.

For example: As of this writing in November 2018, really flexible Waterman nibs from the 1920s are in peak demand. Everybody wants a flexi nib! So if you can find a Waterman 52 with a “wet noodle nib” in an antique store or flea market for $25, fix it up and sell it in a few days for $150 to $200, you’ll have made a great investment.

The trouble is that what is popular can seemingly shift overnight. About 10 years ago, everybody had to have an impossibly extra-fine nib on their vintage pens. If the line was so fine that you couldn’t even see it, that was perfect. Modern Japanese nibs can get that fine, but most vintage nibs were made for fine to medium writing. Thus those vintage extra-fine nibs were hard to find. Then one day I showed up at a pen show loaded with extra fines and nobody wanted them. The fad was over.

THE LONG GAME: Most people want a blue-chip stock they can buy at age 30, hold for 30 years and cash out at 60 for a tidy profit. They exist, of course, but they are less obvious than most people might assume. Take a Montblanc 149 fountain pen. They retail brand new for around $1,000. People who aren’t into pens might assume it will only hold that price and appreciate with time…but it won’t. Gently used 149s from the 1970s through ’90s are retailing for around $400 to $450. However, if you bought it in 1979 for $150…you’re doing okay. Yet, given how little has changed about them during the past 40 years, it isn’t likely you’ll make a profit on a new one sold from an MB boutique today. Nevertheless, an early 1950s’ 149 is resurgent on the market and attracting serious money that isn’t likely to subside for some time.

Hand-painted Montblanc Mythical Creatures series pens are genuinely rare pens that might appreciate in value, as they only made 1,500 of each…unlike the Writers’ Series pens which are made by the 10s of thousands.

A lot of people invest heavily in “limited edition” pens, but I am beginning to question how long those prices will last. With the exception of the Montblanc Writers’ Series Hemingway, Poe and Agatha Christie, most of those pens aren’t holding their original retail value. The trouble is that they aren’t really limited. MB makes tens of thousands of them every year. Everybody who wants one gets one. Most people treat them gently or don’t use them at all. There will come a time in the next 10 to 20 years when everybody either starts selling them off to cash in or passing them down to their children who don’t want them and sell them. When that happens, there will be a glut on the market. Frankly, I’m already seeing signs of that now.

Yet, maybe genuinely limited pens of say 1,500 or fewer, like the hand-painted Montblanc Mythical Creatures series, will appreciate more because so few were made…and they were more handmade than the more common pens. (Although even these pens are a little down in price at the moment.)

LeBoeuf #8 fountain pens are among the rarest grail pens for vintage pen collectors. These were among the first celluloid pens ever made…and are stunningly beautiful.

Vintage pens are a different matter. Blue chips might include an oversized #8 LeBoeuf, senior-sized mandarin yellow Parker Duofolds, Nassau green Parker 51s with double jewels and vermillion Sheaffer Snorkels. Each is a rare color variant on a popular pen. Prices might fluctuate over time, but their values ought to hold.

Playing Devil’s advocate to myself, nearly impossible to find grail pens spanning 1900 to 1925ish are once again becoming much more available as the original collectors are beginning to pass on. Younger, newer collectors are not as familiar with those pens and likely haven’t the money at this stage in their careers to purchase them…and so those prices are actually crashing a bit. It is unclear at the moment if new generation collectors will ever have much interest in the earliest fountain pens. Speculators might be wise to let the prices keep coming down and snatch a few up at “bargain” prices to hold for another 20 years or so. BUT, there’s no guarantee it will pay off.

Younger collectors were laughing at me the 2018 Ohio Pen Show when I said they should hold on to their TWSBI Ecos. These are $15 pens that are a scorching hot fad in affordable fountain pens. But who is to say that these new pen users and collectors in their early 20s and early 30s won’t get nostalgic for them in another 30 years, when they start looking back on how they got into pen collecting. Who knew those 1970s and ’80s Star Wars action figures and spaceships I played with all the time would now be worth a fortune? If only I hadn’t sold them all in a garage sale at age 12.

In closing, you can make a lot of money by investing in pens if you carefully research what it is you are investing in, know well the market and trends in collecting, buy low and sell high and have an inexpensive way to sell your investments. Good luck!

James Bond’s Montblanc from Octopussy: The Sequel

By on September 20, 2018
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Two years ago we identified the sterling silver Montblanc 146 used in the 1983 James Bond film “Octopussy.” The film starred Roger Moore, Maud Adams and Louis Jordan…and a certain fountain pen that was modified by Q. The pen in the film holds a very potent acid ANNND a secret listening device.

A sterling silver with a barley design Montblanc 146 fountain pen that was used in the movie Octopussy rests on a table.

This is one of two pens used in the James Bond film “Octopussy.” In the movie the pen holds acid and a secret listening device. More recently, this one looks as if it held blue ink.

Among the pen’s other notable features is that it does not have the traditional Montblanc branded black dome with the 6-point star or snowy mountain top at the top of the pen. Montblanc got credit for the pen, it just seemed weird it branded the pen differently for the movie.

As fate would have it, the current owner of that pen read our blog post recently and sent us a photo of the original pen.

Jeremy F. is the pen’s owner, and he said there were two made for the film—his and one that has since gone missing. (Perhaps they shouldn’t have filled a plastic pen with potent acid.)

Jeremy got it from the one-time head of Dunhill, who got it from someone at Montblanc. He has since had it authenticated by Jens Rösler, grandson of Montblanc’s founder.

2018 DC Pen Show or Bust!

By on July 31, 2018
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After last year’s chaotic but successful pen show, we are hitting the road for the 2018 DC Pen Super Show!

We’ve spent the past month cleaning, polishing and organizing more than 300 vintage and modern pre-owned luxury pens not yet online for this show. This photo shows only a tiny fraction of what we will have available.

This is just a tiny fraction of the more than 300 vintage and pre-owned modern pens not currently on our website that we shall carry on our table at the DC Pen Show this weekend.

Omas, Delta, S.T. Dupont, Namiki, Montegrappa and rare Pelikans will make a splash. Plus, we’ve loaded up on Montblanc from the 1970s and ’80s. In addition to that we’ve been adding a dozen ultra-rare Esterbrook pens, rare vintage Waterman pens and many great vintage Parker and Sheaffer fountain pens.

Naturally, we are returning with our Lamy nib testing station that was a huge hit last year. It will be loaded with this year’s limited edition Safari and Al-Star designs, as well as many great traditional colors. We’ve restocked Lamy ink, too!

We will have something for everyone. With a total of more than 600 pens in every price range on our table, if you can’t find a new treasure to love…you just don’t like pens.

Frau Tinte’s Iron Gall Ink Test

By on June 8, 2018
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One of my favorite parts about owning a pen business is meeting so many amazing pen and ink collectors from around the world.

One of my many great new friends is a brilliant “amateur” ink historian from Germany who doesn’t want to be identified, so I shall simply refer to her as Frau Tinte. (Ms. Ink, auf Deutsch) In addition to collecting great vintage and modern pens and having a phenomenal talent with calligraphy scripts, Frau Tinte loves researching medieval ink recipes!

Frau Tinte’s iron gall ink goes down very faintly. You can barely read what you are writing. The cool thing is that you can smell the pomegranate and iron in the ink.

She has combed some truly amazing libraries in search of rare and original documents from as long ago as the 1200s and 1300s. As ink making was a very inexact science back then without a lot of consistent, formal measurements like today, recreating these inks is an art form in and of itself. Some of the ingredients are rather vaguely named, as the medieval German word for an item might not be what that ingredient is called today. Plus, old German scripts are practically a different language from modern German lettering. Yet, she methodically tests recipes until she can get reasonably consistent and accurate recreations.

Frau Tinte very kindly and graciously shared with me an old iron gall recreation that is partially made from pomegranates. You can smell the fruit and iron in the ink! The ink is toxic and highly aggressive in its relation to mammals, nibs and inkfeeds. She made it clear that I could only use this ink with a glass dip nib or a 14k gold dip nib with no inkfeed. If I filled a vintage or modern pen with it, it would quickly begin to eat the insides of the pen and feed.

Here are three samples of Frau Tinte’s Iron Gall Ink after a little more than a year in different elements.

Thus, I have spent the past year plus writing with it using a glass-nib dip pen. It is pretty amazing stuff. The iron in the ink oxidizes over time to get darker. Basically, it is rusting on the paper. When you write with it, you can barely read it. Yet, within a few minutes it darkens, and it can continue to darken for years. Many surviving handwritten documents from hundreds of years ago using this or similar iron gall inks are black, and you can see it is getting pretty dark in the samples, but it isn’t a true black, yet.

Wondering how a year would treat the ink, I created 4 samples. One was only seconds old when I shot it, so you can see what it is like to write with. It is a very faint grey that you can barely read. Test #1 was left in a cool, dry place with no direct sunlight. Test #2 was left in a window with direct sunlight. Test #3 was left in a dark, humid place. Each writing sample was written on Montblanc Meisterbütten paper…similar to the parchments used in the 1800s.

I thought the humid sample would have been the darkest, as it might have allowed for more rusting action, but it is about as dark as the control sample #1. The neatest result for me was the sunlight sample. The paper is bleached at least three shades whiter than the other samples. (Photo lighting makes that a little harder to see, but the difference is immediately obvious once you hold the samples together.) Although the ink is maybe a shade lighter than the other year-old samples, it is still really dark on the paper, unlike about 90% of the inks we leave in a window for only 3 or so months.

If you are looking for a permanent ink with a unique chemical signature, find yourself a good iron gall ink.

As for the availability of Frau Tinte’s creations, we are pondering the legal aspects of it on the market in the U.S. What worries us are the facts that it is toxic and how it can ruin pens so quickly if used inappropriately. I know you loyal readers are bright enough not to shoot it with your whiskey or fill your pens with it, but if McDonald’s can get sued for their coffee being too hot…well, you know where this can end up. Eventually, somebody’s poor kitty will find an open, untended bottle and think it is a snack or someone who possibly received it as a gift will fill their beloved $2,000 Montblanc with it. We definitely don’t want to be responsible for those tragedies. Yet, it would be nice for people who want to try it to have a safe and fun writing experience that is centuries old.

If you happen to be a product safety lawyer and happen to know the answers to such questions, please feel free to share them with me.

Roadtrip to Atlanta 2018

By on April 21, 2018
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I love that fresh, brilliant light green of new leaves after a long winter. These are white oaks from northern Georgia in full bloom.

I got my motor running and headed out on the highway for another spectacular trip down to Atlanta for a great pen show. Maybe it was due to the fact Chicago had a couple of inches of snow on the Monday before the Atlanta show, Georgia just looked stunning to me when I made my way to the final destination.

It is a long drive, so I broke it up with a stay in Chattanooga, TN. In the morning I crossed the border into Georgia to check out the National Park for the battlefield at Chickamauga. During the Civil War, this was a staging battle setting up Sherman’s infamous march to the sea. Union General William Rosecrans was pushing into Georgia from the stronghold of Chattanooga. Confederate General Braxton Bragg had the job of sending them back north.

These cannon represent where the Union artillery was set up behind Gen. Thomas’ infantry, as the general prevented a complete rout of the Federal troops.

Bragg was successful for the first 2 days of the battle. A communications error by Rosecrans and his generals turned day three into a rout of the Union Army. As Bragg moved to completely decimate the Union threat to Georgia and the Deep South, a Union general named George Thomas stepped up and held back the onslaught. Buying time for the Union to flee the field, Thomas stoutly held off the Confederacy until the Union army successfully left the field. It was truly a victory for the Confederacy, but instead of wiping out the Union army in its entirety, as it had the chance, they were prevented from doing more damage. Gen. Thomas would be forever remembered as “The Rock of Chickamauga.”

This log cabin was a one-room home that was converted into a field hospital during the battle of Chickamauga. Check out the bullet holes still in its timbers.

It is impressive how well the battlefield is preserved. It is likewise impressive that the original road that separated the two sides during the battle remains in active service today! The road has been paved and widened to accommodate 2 lanes of traffic, but it is exactly where it was more than 150 years ago. I was duly impressed with a log cabin that was converted into a field hospital during the battle, as it has been fully restored and remains standing. You can still count the bullet holes in its aging timbers.

This granite statue of a Union infantryman was one of my favorites depicted in my favorite Civil War book as a child.

Battlefields have many memorials dedicated to the men and units that fought and died, and Chickamauga is no exception. When I was a little kid, only 7 years old, first reading about the Civil War, one of my favorite statues was of an infantryman from the Union laying prone and taking aim at the Rebs. It was in my dad’s big book blue cloth-covered book about the Civil War. I hadn’t thought about it for years and was pleasantly surprised to see it in real life, after I turned a bend in the driving tour. Unfortunately, my granite friend has suffered the loss of his nose, cap bill and rifle hammer over the years.

Okay. On to the Atlanta Pen Show. Jimmy, Suzanne and the gang have done a great job building this show. Plus, they have that show running like clock work. Three rooms and a hallway are packed with vendors, and the remaining room was packed with users and collectors.

With a steady stream of people visiting the 2018 Atlanta Pen Show, I barely had time to snap this shot my table and the room. The legendary Rick Horne was my neighbor for this show.

It also is one of the friendliest shows I attend every year. Everybody comes to learn, test, explore and have fun. Unlike most shows, it feels as if the generations blend seamlessly in the bar after the show shuts down for the day. You have at least 100 people talking, sharing pens, checking out one another’s inks and trading notes about what to buy or try. Younger collectors seek advice and expertise about vintage and luxury pens from veteran collectors and vendors, while those same veteran pen folks ask after the latest modern pens and inks the newer collectors are enjoying. It is really encouraging to see.

On Saturday night after the show, I ran to the Georgia Aquarium for an opportunity to bliss out with the monstrous indoor coral reefs! The main tank was my favorite as it was a 6,300,000-gallon salt water tank big enough to host 3 whale sharks, 5 manta, dozens of reef sharks and stingrays and thousands of fish. It was the next best thing to S.C.U.B.A diving. I loved being that close to the sharks and looking in their eyes and mouths. Be sure to visit if you ever get the chance.