Tag Archives: ink

Bic Cristal Inks Get Testing

We tested these 8 Bic Cristal pens to see how ballpoint ink holds up to 6 months of sunlight. Blue, Pink, Green, Black, Grass-Stain Green, Purple, Turquoise and Red.

During my last visit with Ink-Fast Donn at the D.C. Pen Show in 2019, he said he was starting to test ballpoint inks to see how well they hold up to UV light.

Last summer, I discovered a collection of the famous and commonly used Bic Cristal ballpoints in my fencing gear. I taught a wonderful group of teens and tweens advanced competition maneuvers and strategy, and to help them remember their lessons and opponents, I insisted they keep “Diaries of Doom” and “Tomes of Terror.” To help personalize it more, I handed out colorful notebooks and pens.

Armed with 8 colors (blue, pink, green, grass-stain green, black, turquoise, purple and red), I created a sample on Rhodia paper and taped it to a sunny window of my home at the end of August. I took it down at the end of February and was surprised by the results.

This photo doesn’t really do full justice to the sample set and proof set. The blue doesn’t look as blue as it does in real life.

Surprise #1 to me was that the black ink faded. With fountain pen inks, you can generally count on black to be the most stable and fade-proof. While it didn’t fade away entirely, it had issues.

Side by side comparisons showcase the effect of 6 months of sunlight on Bic Cristal inks.

Surprise #2: Blue! Blue fountain pen inks fade something fierce under the withering sun. Bic Cristal blue got stronger! It lost some of its blueness and turned blacker, but it held on defiantly under the sun’s gaze.

Surprise #3: Grass-Stain Green didn’t fade as much as I thought it would. It faded a little.

Red and purple faded the most. Green, turquoise and pink faded a little, but survived okay.

Reflecting on this experiment, for some reason, I always assumed oil-based ballpoint inks would be far more permanent than water-based fountain pen inks. Yet, their chemical compositions all have their frailties. Some ballpoint colors react differently than fountain pen inks, but that shouldn’t surprise me as much as it did.

Lamy Crystal Inks Undergo Light-Fast Testing

With four moves in 2 years and a ton of other life changes, we were slow to test the new Lamy Crystal fountain pen inks to see how they would handle ultraviolet light and aging on paper. Luckily, we were able to start our three-month test this July. We actually let the test run about 3 and a half months.

To run our test, we used two sheets of Rhodia paper. Each of the 10 inks was first written on to the margin with a wet-writing glass dip nib. Then a swatch was drawn with a Q-tip with the intention of having a thick patch of ink and a thinned out portion so we could see the effects of UV light. One of the sheets was saved in a cool, dark, dry place. The other sheet  was posted in the sunniest window of our office. The inks tested were called: Obsidian, Azurite, Ruby, Topaz, Amazonite, Beryl, Benitoite, Agate, Peridot and Rhodonite.

For nearly 3 and a half months, we tested the left sheet of paper with 10 Lamy Crystal inks in the direct sunlight to see how much they would or wouldn’t fade.

Here are the results. If you click the photo, you will see a larger version of the photo. It is surprising how much some of the inks change and others do not change.

To the relief of many, the Lamy Crystal Obsidian black ink holds fast. It only fades a little, unlike a suprising number of black inks. Yet, the purplish blue “Azurite” fades heavily to a reddish color that looks like if you dipped your finger in merlot and wiped it on a piece of paper.

Ruby and Topaz both held their red and sepia-brown colors very well during their time in the sun.

Peridot landed right in the middle. If the green was laid down thickly, it held. If it was thin, it faded.

Benitoite might also have a middle grade for its time in the sun. It was the only color that got darker! Benitoite is a blue-black. It lost most of its blue in the transition, but its black got stronger.

Amazonite is an odd color change. To me, it is one of the two most beautiful colors when laid down fresh. It is a very vibrant green-blue. And when set thickly on the page, it remains dark after time in the sun. Yet, the odd part is that the green gets lost in the sun and a faded blue remains. Normally, blue is the color we’ve seen disappear.

Beryl is my other favorite color when fresh. It is a lovely purply pink. Yet, after 3 months of sunlight, it completely changed to a very faded red. Even the thick/dark parts of the ink faded to a red, which itself is a faded color though remained darker.

The two colors that faded the most were Agate and Rhodonite. Rhodonite starts a beautiful reddish-pink and faded to a barely visible pink. The Agate was a light grey that actually turned light brown also fading to nearly invisible.

Hopefully, this information helps you with your ink obsession. Happy writing!

Pen Show Revolution in Chicago

There was something new in the air this year at the 2018 Chicago Pen Show, and I liked it: new blood, innovation, advancements on the writing experience.

This year’s Bootlegger’s Sacrament and last year’s Chicago Blue are great examples of city-themed ink from Papier Plume and KWZ, respectively.

Long-time readers of this blog know there has been a rift between the generations of pen collectors for some time. The past few years in Chicago have attempted to address those issues and bridge that divide. This year seemed to succeed in many ways.

Alcohol helps. Really tasty expensive alcohol helps even more. Building on the success of last year’s scotch and bourbon tasting, this year saw about three times as many pen collectors (and some curious car collectors from a nearby auction) trying out top tier scotches and bourbons. The bottles ran from $50 to $120 or more a piece, but all were welcome to try. Many dealers brought in a bottle, but it was Mario Campa and a friend of his who curated a considerable tasting collection. They even brought in mini GlenCairn Glass snifters for us to use and keep! (Thanks to everybody who shared a bottle!)

With liquor to keep everyone together, the lobby of the hotel was filled with vintage collectors and new pen users rubbing elbows and having a great time sharing stories and pen passions.

If you are a pen show circuit regular, you will have been pleased to see and chat with most of the regular vendors who specialize in vintage pens and preowned luxury pens. However, what impressed me about this show were all the new vendors who seemingly came out of the woodwork. A young man named Ralph Reyes came selling custom-made nibs, the likes of which none of us had ever seen before. His triple-decker music nibs were the hit of the show. Yes, three music nibs stacked one on top of the other! They were easily the smoothest, wettest things I’ve ever written with. He sold out long before I got to him, and nobody on the vintage or modern side of the show had ever heard of him before.

This is the handmade Musubi journal I purchased. The cover is woven and the Tomoe River pages are hand stitched in the binding! That’s also a Pelikan 620 Stockholm pen before it.

Also coming out of seemingly nowhere…although Singapore is hardly nowhere…was a man named Darrell representing a company called Musubi. Musubi makes hand-stitched journals with hand-woven covers. Foregoing the modern use of book-making technology, Musubi uses centuries old bookbinding traditions for what amount to custom-made journals using Tomoe River paper! I had to have one.

Renso, of Papier Plume fame, made two new inks exclusively for this year’s Chicago Pen Show. Those were “Da Blue” (think the deep blue-black of the Bear’s helmets) and “Bootlegger’s Sacrement.” To my great surprise, Renso told me I was the “inspiration” for Bootlegger’s Sacrament. In September, at the Dallas Pen Show, I told him what a kick I got out of 2017’s Chicago-themed inks “Ivy Green” and “Lake Michigan Blue.” I told him there were countless themes and colors for the city, and that I really hoped he’d try for a St. Valentine’s Day Massacre Red. Sure enough, he decided to give it a try. Although he didn’t quite get the blood red that he wanted in time for this year’s show, he did create this beautiful red-wine-colored ink, which became Bootlegger’s Sacrament.

These were just a tiny sampling of the new vendors or more traditional vendors bringing entirely new products to market. It was exciting to walk the show and find all of this great stuff.

Of course the regulars to the show had great hidden gems, too. One friend discovered a Sheaffer Snorkel with an exceedingly rare music nib that most of us snorkel fans would have killed for.

My absolute favorite event of the show was Lisa Vanness’ Cinco de Ink-o party on Saturday night! It was like speed dating for pen geeks. There were 7 or 8 tables set up with an expert at each. The partygoers sat at one table for about 15 minutes learning from the expert. When time ran out, they’d get up and move on to the next expert. Anna of the Well Appointed Desk taught the joy of developing ink color rings, Nick Pang taught the basics of copperplate history, Paul Erano introduced people to vintage pens, Ralph Reyes and the folks from Franklin Christoph each showed off their nibs, Darrell from Musubi taught how to identify and grade paper quality, a Philippino woman whose name escapes me had a beautiful class teaching how to make your journal a work of art instead of just a written record of your life and there were several others who I didn’t get to visit, as I was asked to replace one exhausted teacher with an impromptu class about vintage pen filling systems. The entire event was a great opportunity for all to slow down and get to know each other and learn new aspects of the hobby they never knew before. It was wonderful!

If this is the future of pen shows, I can’t wait for more.

Ink Fast Test #3

Attracted by the many colors and properties of Noodler’s Inks, I just had to start exploring.

Finding the right orange ink for me became an obsession last winter. Loving the color samples online for Apache Sunset and Habanero, they were the first in my cart.

The top portion of this photo showcases fresh writing with Noodler’s Apache Sunset, Habanero, Polar Blue and Anti-Feather Black inks. The bottom of this photo shows how much or little they faded after being exposed to 6 months of summer sunlight.

Noodler’s Apache Sunset looked much darker in the online sample. In real life it was more of a running Pumpkin-Gut yellow-orange. It doesn’t offer much by way of shadowing effects unless you use a really wet nib or more preferably a wet, wide stub nib. In the six months it was posted in my sunniest window, it faded the most heavily, which really wasn’t surprising.

Friends know me quite well for my obsession with fiery hot tacos (My buddy Adam and I invented the notorious Flaming Hot Orgasmic Tacos from Hell while in college.), and I could not pass up a Noodler’s Habanero ink. This one looks spectacular and is the darkness that I thought Apache Sunset would be. It became my favorite of my 4 new Noodler’s inks. Unfortunately, its blazing color doesn’t hold up well to the blazing fury of the summer sun. As much as I love the color, I have noticed it is rather viscous. Generally, I have to thoroughly flush my pen every time between fillings of the Habanero ink. If I don’t, the pen gets too clogged up to write by the time I am half way through the second fill.

Since beginning these ink fast tests, I’ve been desperately looking for inks that won’t fade heavily with time or light. Noodler’s Bullet Proof inks are perfect for archival writing. Six months in the summer sun did little to diminish the strength of Noodler’s “Polar Blue” and “Anti-Feather Black.” These inks are promised to be UV resistant, water resistant, chemical uneraseable and many other incredible features. Our tests proved that out. When we soaked one sample in water, the paper disintegrated more than the ink.

Noodler’s Anti-Feather Black ink only gets a smidge fuzzy after being soaked in water. It holds its properties incredibly well in sunlight and under water…once it has been let dry, that is.

Yet, there is a cost to these inks as well. They clogged the living daylights out of two juicy writing pens. It was a matter of time more than of use. If I were to fill a pen with Anti-Feather Black and write it to empty in one day, there’d have been little problem. If I wrote out half of the ink in one day and then waited a week to use it again, then problems developed. Ink would dry out on the ink feed and start gumming up the works fairly quickly.

As much as I love the deep, rich black of the Anti-Feather, along with its archival qualities, I only reserve it for special occasions, using only a glass dip nib. The Polar Blue was so frustrating, I gave it away to a friend who wanted to try it.

Delving into Diamine Inks

It seems strange, even to me, that in spite of a lifetime using fountain pens, I had never previously gotten all that into inks. I used whatever was available, eventually falling in love with Waterman’s Florida Blue and Aurora’s black inks. And then Waterman went and discontinued Florida Blue. Sure, I bought up a bunch of it before it disappeared, but I found myself in ink crisis wanting to find something that I liked as much.

Witness the way sunlight fades fresh Diamine ink. The left writing sample spent 4 months in direct sunlight. The right writing sample is fresh out of the bottle. I was particularly impressed by the color, clarity and resistance to harsh UV rays.

Witness the way sunlight fades fresh Diamine ink. The left writing sample spent 4 months in direct sunlight. The right writing sample is fresh out of the bottle. I was particularly impressed by the color, clarity and resistance to harsh UV rays in the Diamine Ancient Copper ink.

This coincided nicely with a new generation of people exploring the wonders of many ink colors and brands! Now I have the bug, too. While still questing for my perfect Florida Blue replacement, I’ve been branching out trying new colors.

A penpal in Germany turned me on to the many wonders of Diamine last autumn. I picked out 4 colors to order and try on my own. I also performed an ink-fast test on them to see how they held up after spending 4 months in my window, during winter’s weaker light. Here are the results:

SHERWOOD GREEN: I’ve always loved Robin Hood stories, since I watched the Errol Flynn flick as a kid. Fresh on the page, it is a little darker and more yellow than I would have preferred, but it made a great ink for my Christmas cards last year. Given how dark and rich it is, I was surprised when it faded this much.

KENSINGTON BLUE: This is a beautiful dark blue with aqua accents in the shadowing, which you can’t see as well in this sample. Unfortunately, it suffers the same fate as many blues by fading too much over time.

PRUSSIAN BLUE: Given some German ancestry and an appreciation of their cheek-scarring fencing tactics, I had to try this ink. It is a good blue-black with some very nice shadow effects. As I am finding with other blue-blacks, it holds up a little better under the sun’s harsh rays.

ANCIENT COPPER: Hands down my favorite new ink of the past year! It’s rich, dark orange looks incredible when spread thin with a stub and then brought to a thick, darker clot when laid down thicker at the top or bottom of a loop. Its only downside is that it does seem to clog a bit in the pen over time. If I give my trusty Pelikan 800 a thorough flushing between refills, I have no troubles whatsoever. Best of all, it hardly fades at all, unlike my beautiful but fickle blues.