Tag Archives: #montblancpens

Whoa! Montblanc Inks…Beware!

Happy New Year, everybody!

Sorry for the long absence. December and early 2022 have been quite the rollercoaster. Happily, all is well now, and we hope to be back to rockin’ and rollin’ the ink-o-sphere.

Wow! Three months in the sun fades the pigment right out of modern Montblanc inks. Mont Blanc ink burns worse than I do in sunlight.

The biggest shock to me in Dawn’s and my ink tests comes from Montblanc! At $26 retail for a 60ml bottle of ink, you’d think you’d get something close to perfection…especially with the company’s luxury marketing! It is worth it to do a little math here. A 60ml bottle of ink at $26 per bottle means the price of a single milliliter of ink is 43¢. A U.S. gallon is a shade over 3,785 milliliters. Ergo, a gallon of Montblanc ink costs $1,627.55! A gallon of gasoline here in Norwich is $3.39, and a gallon of milk can be found for $4.29. It will seem as though gas and milk are a better bargain, especially after these results.

Now before you start thinking I’m being completely unfair to Montblanc, I’ve always liked its ink. At pen shows I use it as my test ink for anyone wanting to dip a nib to try out a pen. When people asked me what was one of the safest brands of ink…based on no research but word of mouth around pen shows…I’d usually tell them they could trust Montblanc best.

I hereby rescind that proclamation of safety. I got my first wind that trouble was in the air when a customer returned a pen to me after only 3 or 4 months of use with Montblanc Mystery Black ink. Its rubber ink sac had melted. At the time, I thought that was weird and worried the customer had used something far more toxic and then tried to cover it up with Montblanc Mystery Black. Nope. I doubt that now.

Back in July, 2021, I stuck a sample of 8 new bottles of modern Montblanc ink swatches in my sunniest window. These inks included: Oyster Grey, Midnight Blue, Irish Green, Toffee Brown, Royal Blue, Lavender Purple, Burgundy Red and Mystery Black.

After only 3 months in the sun, nearly all faded out! Royal blue turned a faded green. Irish Green and  Lavender Purple almost went invisible.

When Dawn and I tested the fresh ink’s pH, we were equally surprised. For a quick chemistry refresher. Everything is measured in pH on a scale from 0 (extremely acidic) to 14 (a base that is extremely alkali). 7 (distilled water) is perfectly neutral. We calibrated our pH tester at 24.6ºC.

Here are our results from the Montblanc ink pH Test:

Mystery Black          4.3
Royal Blue                3.8
Burgundy Red         4.8
Midnight Blue         4.2
Irish Green               3.9
Oyster Grey              3.9
Toffee Brown           5.6
Lavender Purple     3.8

All of these inks are quite acidic. Blue and black inks are supposed to be the safest inks. They are very acidic in Montblanc! Now, we aren’t chemists. We do not know how the chemistry between the ink sacs, pistons and converters interacts with the ink. Yet, this raw data casts doubt on the safety of Montblanc ink. Perhaps it is the special “cleaner” Montblanc uses to keep inkfeeds clear that is to blame for the acidity. The company recommends only using MB ink in MB pens. Perhaps there is more to that than just their greed of simply wanting to sell more ink.

As we still have a few of the old bottles of Montblanc ink from the 1990s, we didn’t do a UV test on them, but we did a pH test and it was even worse.

Black          2.2
Turquoise 2.8
Red            6.5
Green        3.0

Maybe you’ve had great results. I certainly don’t want to ruin your faith in Montblanc ink, if it has always worked for you. However, it might not be the gold standard I once thought it was. The information here is simply raw data, but it seems striking.

How Do I Start Collecting Pens? Investing

“How do I collect pens for investment?” is probably one of the most difficult questions I have to answer. Like all the investment prospectuses out there state, “Investing requires a degree of risk with no guarantee of success.”

There are several strategies that can help an investor looking to profit on pens, but it is important to understand several key facts before investing.

• The market for pens is constantly changing.
• Cashing out for a profit can be difficult.
• Even the most reputable retailers on earth don’t pay full retail for pens they are going to resell.
• Like every good drug dealer knows: “Don’t get addicted to your own product.”

RULE #1: Buy low, sell high. Sounds easy enough, but it doesn’t always work that way.

MINIMIZE SELLING COSTS: Most people love the collecting side of this wonderful hobby. They love the hunt, or they love using the pens. Yet, the first thing any investor-collector should think about is how they are going to offload their pens while getting their money out of them.

All of the major retailers online, such as myself, are looking for deals like any investor. If you have a rare pen that sells for $2,000, retailers like me aren’t going to pay you $2,000 for it, just so we can turn around and sell it for $2,000. Clearly, that is all risk and no reward for the retailer. And unless you found this pen for $50, you might be really upset if the retailer only offers you $1,500 or less for a $2,000 pen.

Auction sites and payment-receiving companies such as PayPal and Square charge any number of fees and commissions. These can quickly add up and dig into a substantial part of your profits.

Your best bet might be to sell your pens one-on-one at pen shows, in free social media listing pages or some place such as our Trading Post. We charge a one-time $5 fee for a single posting. You keep your pen and handle the transaction as you see fit. There are no other fees or commissions when you sell the pen. Just tell us it is sold, and we’ll delist it.

RESEARCH, RESEARCH, RESEARCH: If you are serious about investing in pens, knowledge is power. There are huge differences between why one pen might get an astronomical amount of money and why another pen that looks nearly identical wouldn’t. There are so many nuances that affect values. Plus, if you like modern pens…and even some vintage ones…you need to learn how to spot the fakes. Furthermore, it is critical to also research the trends in what is selling and at what prices it is selling.

Flexible vintage Waterman nibs such as these from the 1920s are in exceptionally high demand in 2018.

DAY TRADING: Okay. The market for pens doesn’t move nearly as fast as it does for “day traders” on Wall Street. However, if you know what is really hot on the market right now and know you can quickly find a customer who will pay full price for it, you can make a lot of money. The trick is to know the market really well and not hold on to the pen for too long.

For example: As of this writing in November 2018, really flexible Waterman nibs from the 1920s are in peak demand. Everybody wants a flexi nib! So if you can find a Waterman 52 with a “wet noodle nib” in an antique store or flea market for $25, fix it up and sell it in a few days for $150 to $200, you’ll have made a great investment.

The trouble is that what is popular can seemingly shift overnight. About 10 years ago, everybody had to have an impossibly extra-fine nib on their vintage pens. If the line was so fine that you couldn’t even see it, that was perfect. Modern Japanese nibs can get that fine, but most vintage nibs were made for fine to medium writing. Thus those vintage extra-fine nibs were hard to find. Then one day I showed up at a pen show loaded with extra fines and nobody wanted them. The fad was over.

THE LONG GAME: Most people want a blue-chip stock they can buy at age 30, hold for 30 years and cash out at 60 for a tidy profit. They exist, of course, but they are less obvious than most people might assume. Take a Montblanc 149 fountain pen. They retail brand new for around $1,000. People who aren’t into pens might assume it will only hold that price and appreciate with time…but it won’t. Gently used 149s from the 1970s through ’90s are retailing for around $400 to $450. However, if you bought it in 1979 for $150…you’re doing okay. Yet, given how little has changed about them during the past 40 years, it isn’t likely you’ll make a profit on a new one sold from an MB boutique today. Nevertheless, an early 1950s’ 149 is resurgent on the market and attracting serious money that isn’t likely to subside for some time.

Hand-painted Montblanc Mythical Creatures series pens are genuinely rare pens that might appreciate in value, as they only made 1,500 of each…unlike the Writers’ Series pens which are made by the 10s of thousands.

A lot of people invest heavily in “limited edition” pens, but I am beginning to question how long those prices will last. With the exception of the Montblanc Writers’ Series Hemingway, Poe and Agatha Christie, most of those pens aren’t holding their original retail value. The trouble is that they aren’t really limited. MB makes tens of thousands of them every year. Everybody who wants one gets one. Most people treat them gently or don’t use them at all. There will come a time in the next 10 to 20 years when everybody either starts selling them off to cash in or passing them down to their children who don’t want them and sell them. When that happens, there will be a glut on the market. Frankly, I’m already seeing signs of that now.

Yet, maybe genuinely limited pens of say 1,500 or fewer, like the hand-painted Montblanc Mythical Creatures series, will appreciate more because so few were made…and they were more handmade than the more common pens. (Although even these pens are a little down in price at the moment.)

LeBoeuf #8 fountain pens are among the rarest grail pens for vintage pen collectors. These were among the first celluloid pens ever made…and are stunningly beautiful.

Vintage pens are a different matter. Blue chips might include an oversized #8 LeBoeuf, senior-sized mandarin yellow Parker Duofolds, Nassau green Parker 51s with double jewels and vermillion Sheaffer Snorkels. Each is a rare color variant on a popular pen. Prices might fluctuate over time, but their values ought to hold.

Playing Devil’s advocate to myself, nearly impossible to find grail pens spanning 1900 to 1925ish are once again becoming much more available as the original collectors are beginning to pass on. Younger, newer collectors are not as familiar with those pens and likely haven’t the money at this stage in their careers to purchase them…and so those prices are actually crashing a bit. It is unclear at the moment if new generation collectors will ever have much interest in the earliest fountain pens. Speculators might be wise to let the prices keep coming down and snatch a few up at “bargain” prices to hold for another 20 years or so. BUT, there’s no guarantee it will pay off.

Younger collectors were laughing at me the 2018 Ohio Pen Show when I said they should hold on to their TWSBI Ecos. These are $15 pens that are a scorching hot fad in affordable fountain pens. But who is to say that these new pen users and collectors in their early 20s and early 30s won’t get nostalgic for them in another 30 years, when they start looking back on how they got into pen collecting. Who knew those 1970s and ’80s Star Wars action figures and spaceships I played with all the time would now be worth a fortune? If only I hadn’t sold them all in a garage sale at age 12.

In closing, you can make a lot of money by investing in pens if you carefully research what it is you are investing in, know well the market and trends in collecting, buy low and sell high and have an inexpensive way to sell your investments. Good luck!

James Bond’s Montblanc from Octopussy: The Sequel

Two years ago we identified the sterling silver Montblanc 146 used in the 1983 James Bond film “Octopussy.” The film starred Roger Moore, Maud Adams and Louis Jordan…and a certain fountain pen that was modified by Q. The pen in the film holds a very potent acid ANNND a secret listening device.

A sterling silver with a barley design Montblanc 146 fountain pen that was used in the movie Octopussy rests on a table.

This is one of two pens used in the James Bond film “Octopussy.” In the movie the pen holds acid and a secret listening device. More recently, this one looks as if it held blue ink.

Among the pen’s other notable features is that it does not have the traditional Montblanc branded black dome with the 6-point star or snowy mountain top at the top of the pen. Montblanc got credit for the pen, it just seemed weird it branded the pen differently for the movie.

As fate would have it, the current owner of that pen read our blog post recently and sent us a photo of the original pen.

Jeremy F. is the pen’s owner, and he said there were two made for the film—his and one that has since gone missing. (Perhaps they shouldn’t have filled a plastic pen with potent acid.)

Jeremy got it from the one-time head of Dunhill, who got it from someone at Montblanc. He has since had it authenticated by Jens Rösler, grandson of Montblanc’s founder.