Tag Archives: fountain pen ink

A 3-Month Ink-Fast Test

A gentleman at this year’s Chicago Pen Show showed me his very elaborate ink-fast test to see which of his inks could best withstand direct sunlight for an extended period of time. He tested dozens, if not more than 100 inks, to see how they looked new, at 3 months, at 6 months and a year.

As he said most of the damage was done to the ink within the first three months, I decided to try a 3-month ink-fast test on my 8 favorite inks.

8 inks testing day 1

Here are the fresh fountain pen inks on Day 1 of the trial before being placed in my sunniest window.

Hopefully the photos show the results. However, to clarify any difficulties due to all of the variations of computer screens, I shall describe the results, as well.

Lamy Green went from a bright kelly green a faded, almost camouflage green-grey.

Lamy Turquoise turned to a blue-black.

Monte Verde’s new blue fountain pen ink faired second to worst, turning from a nice medium blue to a light shade of grey.

Parker Blue-Black fared best, maintaining a strong dark color more black than blue.

Waterman Florida Blue turned medium grey.

Pelikan Edelstein Adventurine, which is almost a forest green, but not quite, turned turquoise.

Aurora Black Ink turned a medium to darkish brown. This made me wonder if Aurora put a touch of iron in its ink.

Inks after 90 days of sun

After 90 days in direct sunlight, all 8 inks faded. However, it appears that Parker Blue-Black ink held fastest and Yard-O-Led Royal Blue faded the most.

Yard-O-Led Royal Blue, which is an especially brilliant blue when fresh, fared worst and turned to a barely legible sky blue.

Although I had no idea how Waterman Florida Blue would deteriorate over the years, it has been my go-to ink since I discovered it in the 1990s. Now that they no longer make it and changed the formula to Parker’s slightly inferior blue Quink, I am on a quest for a new blue to love. I thought Yard-O-Led would be it, but now I have my doubts. A German friend has turned me on to Diamine Kensington Blue. We’ll have to see how that holds up to the sun.

When I know, I’ll be sure to share.

Yard-O-Led Ink Review

It isn’t often we get to see Yard-O-Led inks on this side of the puddle. Luckily for all, ThePenMarket.com now carries these fine bottled inks.

Check out the new bottled ink we carry. Yard-O-Led inks come in four colors: Jet Black, Blue, Blue/Black and Claret. Look closely to see great shading in the Jet Black and Blue/Black. The Blue and Claret are radiant wonders that are treat with which to write.

Check out the new bottled ink we carry. Yard-O-Led inks come in four colors: Jet Black, Blue, Blue/Black and Claret. Look closely to see great shading in the Jet Black and Blue/Black. The Blue and Claret are radiant wonders that are treat with which to write.

What struck me first about these inks were the radiance of the Blue (Royal Blue) and Claret (Fuchsia) inks. The blue is a washable ink and very bright. As I have only had it for a short time, I’m not sure how much it will fade over time, as many washable blues do. Nevertheless, I am enjoying its fresh blueness.

The Claret ink seems to be lively combination of hot pink, purple and red. While I expected it to be more of a rich, red wine color, I think it be very popular among the teenage girls who want to explore fountain pens with a more feminine color ink.

Traditional ink lovers will get a charge out of the beautiful shading delivered by the Jet Black and Blue/Black inks by Yard-O-Led. The Jet Black is more of a charcoal grey, and the wider the nib you use, the more distinctive the shadows become. The same can be said for the Blue/Black ink. Fine-point nibs lose the shading and concentrate the colors more.

Fountain Pen Ink 101

This is just an "inkling" of ThePenMarket.com's private collection of vintage and modern fountain pen ink. It includes Sanford ink, Sheaffer towers of ink, Carter's ink and Parker V-mail ink from WWII!

This is just an “inkling” of ThePenMarket.com’s private collection of vintage and modern fountain pen ink. It includes Sanford ink, Sheaffer towers of ink, Carter’s ink and Parker V-mail ink from WWII!

Many people ask me about ink and what they should use in their pens, and it is a great question.

The best rule of thumb is to never, ever use India ink. It has sediments that will clog your pen faster than a diet of Big Macs will clog your arteries. While these pens can be unclogged, it is often a time consuming mess that could potentially damage the pen.

Most of the major name brands make very reliable fountain pen inks that are specially designed to help clean your pen as you write. They might slowly clog your pen over time, especially if you routinely let the ink dry inside your pen. However, they are easier to unclog with a simple flush.

Brands such as Parker, Waterman, Sheaffer, Mont Blanc, Cross, Pelikan, Lamy, Aurora and other major pen makers are always safe bets.

Many modern pen lovers swear by a brand named Private Reserve. These specialty inks offer a zillion different colors that are truely vibrant and beautiful. My trouble with them is that they have always clogged my pens within one or two fills. Personally, I don’t feel they are worth the trouble. Other collectors I talk with insist they never have the trouble with clogging, but I am far from being alone with that issue.

Ink color should also play a role in your decision. Black, blue and blue-black are always safe choices. Red inks have a notorious past for more quickly rotting ink sacs. Even modern red ink shouldn’t be left to set in pens for very long. It is safe to use, but flush your pen when you are done with the ink. Other colors such as greens and purples have a checkered history of ruining ink sacs and pen seals if left in the pen for too long.

One of the many great myths about Mont Blanc pens is that they can only use Mont Blanc inks. The company line is that their inks are specially formulated to preserve and protect their fountain pens. That might very well be true, but most of the other major brand inks are just as safe. Mont Blanc just wants to cash in on their overpriced ink.

Can vintage pens use modern inks? Absolutely. That is virtually all I’ve ever used on my vintage pens.

Can you still use vintage inks on your modern and vintage pens? Certainly! Despite the fact it is a liquid, there are still huge reserves of fresh bottled ink from the 1920s up to present day. Most of the inks in the photo above are from the 1950s and ’60s, and they are still very nice. The #1 vintage ink you want to avoid is “Parker 51 Ink” or “Super Chrome” ink by Parker. It was designed for use in the Parker 51 pens that used latex/silicone ink sacs. The chemicals in the ink very quickly rot traditional rubber ink sacs, diaphragms and piston seals.

Vintage inks can go bad every now and again. When buying vintage ink, check it for “oil slicks,” stuff growing on or in the ink and color separation. Sometimes the old ink loses its pigmentations. Don’t use it if it has any of these issues.

One of my favorite hoaxes in history used vintage inks from the 1880s! In the 1990s, the supposed diary of Jack the Ripper was discovered in London. The diary was to have belonged to one James Maybrick who was never on the radar of “ripperologists.” The initial results on the paper and ink proved they were genuinely from the 1880s. Later tests realized that the diary had been written in the 1950s and cleverly tucked inside a wall of some old building or house, not to be discovered for another 40 years when new owners discovered it during a remodel. I think that makes the hoax all the better, as whoever perpetrated it was likely dead by the time it hit the book stands. That type of patience for a laugh deserves respect.