Tag Archives: ink uv test

Lamy Crystal Inks Undergo Light-Fast Testing

With four moves in 2 years and a ton of other life changes, we were slow to test the new Lamy Crystal fountain pen inks to see how they would handle ultraviolet light and aging on paper. Luckily, we were able to start our three-month test this July. We actually let the test run about 3 and a half months.

To run our test, we used two sheets of Rhodia paper. Each of the 10 inks was first written on to the margin with a wet-writing glass dip nib. Then a swatch was drawn with a Q-tip with the intention of having a thick patch of ink and a thinned out portion so we could see the effects of UV light. One of the sheets was saved in a cool, dark, dry place. The other sheet  was posted in the sunniest window of our office. The inks tested were called: Obsidian, Azurite, Ruby, Topaz, Amazonite, Beryl, Benitoite, Agate, Peridot and Rhodonite.

For nearly 3 and a half months, we tested the left sheet of paper with 10 Lamy Crystal inks in the direct sunlight to see how much they would or wouldn’t fade.

Here are the results. If you click the photo, you will see a larger version of the photo. It is surprising how much some of the inks change and others do not change.

To the relief of many, the Lamy Crystal Obsidian black ink holds fast. It only fades a little, unlike a suprising number of black inks. Yet, the purplish blue “Azurite” fades heavily to a reddish color that looks like if you dipped your finger in merlot and wiped it on a piece of paper.

Ruby and Topaz both held their red and sepia-brown colors very well during their time in the sun.

Peridot landed right in the middle. If the green was laid down thickly, it held. If it was thin, it faded.

Benitoite might also have a middle grade for its time in the sun. It was the only color that got darker! Benitoite is a blue-black. It lost most of its blue in the transition, but its black got stronger.

Amazonite is an odd color change. To me, it is one of the two most beautiful colors when laid down fresh. It is a very vibrant green-blue. And when set thickly on the page, it remains dark after time in the sun. Yet, the odd part is that the green gets lost in the sun and a faded blue remains. Normally, blue is the color we’ve seen disappear.

Beryl is my other favorite color when fresh. It is a lovely purply pink. Yet, after 3 months of sunlight, it completely changed to a very faded red. Even the thick/dark parts of the ink faded to a red, which itself is a faded color though remained darker.

The two colors that faded the most were Agate and Rhodonite. Rhodonite starts a beautiful reddish-pink and faded to a barely visible pink. The Agate was a light grey that actually turned light brown also fading to nearly invisible.

Hopefully, this information helps you with your ink obsession. Happy writing!

Meet the Ink Test Guru

Several years ago I met Donn D. at the Chicago Pen Show. We got to talking outside of the main room afterhours, and he was the one who introduced me to Ink-Fast Tests. He had a binder of very organized ink swatches that showed what an ink looked like when protected from the light, what it looked like after it had been left in the sun for 3 months and after it had been left in the sun for 6 months.

As I was on a quest for the perfect replacement blue for my beloved Waterman Florida Blue, I began making ink tests for this site. I figured you would be as curious as I am about how ink holds up to UV light.

Donn and I got together at this year’s Washington DC Pen Show and resumed our inky discussions. I asked if he would be so kind as to share some of his tests on the blog, and he said, “Yes.”

Included in this post are 4 pages of his tests of Pilot ink, Diamine ink, Noodler’s ink, Waterman ink, Parker ink and Pelikan ink…among others.

Donn described his methodology as such: “I exposed fountain pen ink samples to ultraviolet light from the sun for 3 months and 6 months.  The exposure method involved simply taping them to the inside of a patio door, which does not block UV very well.  I exposed all samples in the same manner, but not at the same time, and have no record of the number of cloudy vs. sunny days for each test.  The paper was standard office copy bond.

The inks in this test happen to be colors I like, rather than a general test of a manufacturer’s entire product line.

What surprised me most was how well green inks held up, and a chemist friend speculates a copper compound may be involved.

Note: Test sheet #1 shows 6-month results only.”

Thank you, Donn, for sharing so many of these ink tests. Everybody else, I hope these help you in your quest for the perfect inks.

Click on any of the images to see a larger, clearer representation of the inks tested. Please also note that these are not performance tests of the ink inside a fountain pen. Some of these inks are not as well suited to vintage pens as others. This is strictly to showcase how an ink will hold up to time and light. (For example, Noodler’s Ink often clogs the hell out of vintage pens. Beautiful inks but a pain to deal with unless you love spending hours cleaning pens.)