Diamine Versus the Sun & a pH Test

People often ask what my favorite ink brand is, and, more-and-more it is Diamine. Just like the Beatles, Diamine is based out of Liverpool in the United Kingdom. However, they beat the Beatles to the scene by 100 years in 1864.

In all of my experience with the ink, so far, it has been very fountain pen friendly. I’ve had great success with it in modern and vintage pens, plus, it has a zillion different colors for sale. The only things I don’t mess with are their shimmer inks because shimmer inks clog the daylights out of pens.

Diamine blue inks generally hold up pretty well to the sun’s harsh rays. It is a rare feat among blue inks.

When I stumbled into 14 different ink bottles from a collection I knew it was time to do one of our famous inkfast tests and pH tests.

The results are interesting. Although they lose a bit of their luster, most of the blues are pretty tough and don’t let the sun and UV light bully them. Silver Fox barely fades at all. When still fresh looking, three of my favorite blues in production are Diamine’s “Majestic Blue,” “Blue/Black” and “Blue Velvet.” The only blue to really fade much was “Presidential Blue.”

 

Ancient Copper holds its beauty better than most colors, and it is almost pH neutral!

Breaking into some of the more colorful Diamine inks, the sun proves more aggressive. “Ancient Copper” holds up amazingly well, but  “Red Dragon” takes a hit. “Amazing Amethyst” really takes it  hard and almost completely fades out. The very popular “Oxblood” fairs well, but it still fades a bit.

The pH testing surprised us. As a quick reminder, in the world of pH testing a 0 is extremely acidic, 7 is neutral and 14 is extremely alkali or base. We calibrated the testing device and tested the inks at 24ºC.

Diamine Ink Name              pH  Test  Result
Ancient Copper                                   6.7
Red Dragon                                        2.5
Oxblood                                              2.5
Amazing Amethyst                             6.1
Sherwood Green                                4.4
Blue/Black                                          4.1
Oxford Blue                                        3.8
Presidential Blue                                3.2
Majestic Blue                                     4.2
1864 Blue/Black                                4.5
Silver Fox                                          4.0

Before you throw out any ink you might love, please keep in mind that the pH is only a data point. We don’t know what chemicals are in each ink, and we don’t know how their chemical properties will react to your ink sacs or converters. We’ve seen acidic inks used safely in ink sacs for years and neutral inks destroy ink sacs in a matter of months.

That said, we’ve always had great success with Ancient Copper, which is one of our personal favorite ink colors.

We hope this information is interesting to you…and maybe even help you.

Changes at The United States Postal Service

We love the United States Postal Service. It is cheaper and faster at sending pens across the country and around the world than any of its rivals. After the early pandemic problem with international mail, everything is going great! (It also is one of the only governmental services mentioned and mandated by the U.S. Constitution.)

BUT!

Fight the huge postal rate hike and intentionally slowed service of USPS by its own Postmaster General Louis DeJoy by writing him and President Joe Biden to stop this shameful mismanagement of USPS resources to enrich DeJoy who is heavily invested in the USPS’ biggest delivery rivals.

The USPS just announced it will be — just for the holidays! — RAISING its RATES annnnnnd SLOWING SERVICE! This new policy goes in effect October 3.

We are sorry, but we likely will have to raise our shipping charges to keep from losing money.

Why is the USPS spiking rates and slowing service for the holidays? As a former journalist, I can tell you the old rule of “Follow the money” is never more true than now.

Look no further than Postmaster General Louis DeJoy. Prior to becoming Postmaster General, DeJoy had a political axe to grind against the USPS and wanted it privatized. Why? U.S.A. Today points out that he has between $30 million and $70 million dollars invested in 3 delivery corporations in direct competition with the United States Postal Service. Those corporations are United Parcel Service (UPS), XPO Logistics and J.B. Hunt (Freight).

I don’t think it matters what your politics are, that looks a lot like hiring the fox to watch the hen house.

No. Maybe it doesn’t matter if a pen takes 2 or 3 days longer to get to you. BUT, what about critical medication to the elderly and sick? What about vital real estate, tax and business records where a lot of money is changing hands or peoples’ lives are put on hold as these items, for legal reasons, must be sent via the mail?

And why raise rates and slow service just before the holidays? Could it have anything to do with bringing the USPS down to the overpriced, slow service levels of UPS and DeJoy’s other corporate interests to help bolster their sales at the expense of the USPS? He’ll say no, but I’m not convinced when he has $30M to $70M at stake to make his investments do better.

I have already written DeJoy and President Joe Biden, demanding the service disruption be stopped and preferably to have DeJoy sacked. Yet, my two lonely letters won’t get much attention. Please write to both men and demand better of the United States Postal Service. The more letters they get, the more results we might get.

Postmaster General Louis DeJoy
United States Postal Service
475 L’Enfant Plaza, S.W.
Room 4012
Washington, D.C. 20260

President Joe Biden
1600 Pennsylvania Ave. NW
Washington, DC
20500

Strong Enough for a Man; pH Balanced for a Fountain Pen?

One of the many great aspects of marrying a scientist is the gadgetry. Intrigued by my ink-fast tests  with UV light, Dawn decided to get a professional pH meter to test our ink for corrosiveness. If you remember basic chemistry from high school…which I barely do…you will remember that we have acid on one side of a scale and base/alkali on the other. The scale ranges from 0 to 14. 7 is neutral like distilled water. The further you move away from 7 in either direction is more corrosive. The 0 side is acid and the 14 side is base/alkali.

You would think that all inks are hovering around a 7 to be safe in your pen and on paper. We certainly did.

Holy cats! We were wrong.

First you saw these Pelikan Edelstein inks in our UV ink fast test. Now we’re going back and checking their pH balance!

For years I told people…as I was told by many pen collectors and dealers before me…that you can always trust simple blue and black inks from the major pen manufacturers. However, just our initial testing indicates that might not be the best advice any longer.

Before I go on, let me preface the following by saying that we are not chemists. We feel confident in our results from our testing. However, we do not know the chemistry of the ink interacting with ink sacs, celluloid, gaskets, seals and other assemblies inside your pens. Our pH testing is simply raw data we gather from bottles of ink we have collected. Yet, it might help shed some light if you are experiencing trouble with certain inks interacting poorly with your vintage or modern pens over time.

Having recently written about Pelikan Edelstein inks in an ink-fast test, I thought I would revisit these inks for our pH testing. For those keeping score at home our meter and inks were tested and calibrated at 24ºC.

Pelikan Edelstein Amethyst               5.6
Pelikan Edelstein Aquamarine          3.3
Pelikan Edelstein Aventurine             6.4
Pelikan Edelstein Garnet                   6.5
Pelikan Edelstein Jade                       5.3
Pelikan Edelstein Olivine                    6.0
Pelikan Edelstein Ruby                       7.9
Pelikan Edelstein Sapphire                 3.7
Pelikan Edelstein Smokey Quartz       6.5
Pelikan Edelstein Tanzanite                7.3
Pelikan Edelstein Topaz                      6.4
Pelikan Old Version Violet                   2.7
Pelikan Modern Violet                         3.4
Pelikan Brilliant Red                           6.9

Again, I’m not a chemist, and I have not studied how these inks interact chemically with ink sacs and other pen parts.

That said, what really strikes me as fascinating is that the “traditionally safe” blues such as Sapphire and Aquamarine are really acidic. I love Edelstein Sapphire and use it more than any of these other colors, and I would never have guessed it was as acidic at it is.

Also fascinating, I’ve been told for years never to put red ink in an ink sac, but Garnet, Ruby and Brilliant Red are among the closest inks to test near pH neutral.

Again, the chemicals in the ink might interact differently with the chemical compositions of our pens, but we find this to be a really fun look into our favorite inks. Many more UV and pH tests to come!

Decameron 2020: God of Carnage

Peanut

Scurrying into the town of Mouseville, a little grey traveler named Erasmus visited in hopes of seeking shelter from the rain.

Yet, on the streets Mouseville, between the basement and first floor of a century-old Sears Craftsman home, all was not well. Oh sure, there were the happy signs of chewed on wood debris and droppings everywhere, but the residents of Mouseville were in a nervous panic.

“What is wrong?” asked Erasmus, when he encountered a larger brown-and-white field mouse named Esther. “Why is everyone so upset.”

“It is the God of Carnage,” the trembling mouse replied. “He killed Aloysius early this morning.”

“Forgive me,” Erasmus said. “I just came to town. I have never heard of a God of Carnage before.”

“What?! How can that be?” asked Esther. “His savagery is epic. He is huge and vicious. He has large white fangs and razor-sharp claws. He is so terrifying that he doesn’t even camouflage. He wears a coat of tan fur, and his pale green eyes look right through you as he tears you to pieces.”

“Does this God of Carnage have a furry tail?” Erasmus asked.

“Yes,” replied Esther.

“Does your God of Carnage make an ear-shattering cry of death that sounds like this, ‘Meow’?” Erasmus asked.

“Yes,” Esther said. “You do know our God of Carnage.”

“I think it is just a cat,” Erasmus explained, confident his big city mouse experiences were more than these simple country mice were used to. “It is not a god, though they do think highly of themselves. Cats are just predators who happen to feed on mice and birds. They are pretty predictable, really.”

God of Carnage

“Mark my words, Stranger,” stated Atticus, who was a sleek black mouse that overheard their conversation. “The God of Carnage is no mere cat. He has never eaten a mouse. He is fed by his gargantuan servants, whom he himself has trained, something called Fancy Feast. It is a vile meat purée whose sickening stench alerts us to when he is near.”

“BUT,” nervously squeaked Wilhelmina, “Once he has consumed the Fancy Feast, he is sleepy and less apt to torment us.”

“Guys,” Erasmus laughed. “I’m even more convinced now that this is just a cat and not a god at all. They are pretty common. Trust me, I’ve encountered many in my travels.”

“Would a cat hold you down by the tail and slowly stick his claws in you, just to listen to you squeal before you die?” asked Esther, trying to trip up Erasmus.

“Yes,” he replied.

“But then he wouldn’t eat you…just leave your corpse in the shoe of one of his servants who must have displeased him,” Esther probed further.

“Yep. That’s pretty catlike,” Erasmus said, rolling his eyes at their simplistic nature.

“Would a cat play catch with your limp body?” Wilhelmina asked. “Tossing you into the air with his mouth only to catch you and grind you with his teeth until you ceased to try escaping and withered away in his jaws, only to leave you on his servants’ bed to reprimand them?”

“Uh-huh,” Erasmus nonchalantly affirmed.

“What about drowning?” inquired Atticus. “Aloysius did nothing to disturb or offend the God of Carnage. He simply saw a sunflower seed on the floor and raced to get it and return to Mouseville to eat it. Yet, the God of Carnage pounced from thin air and captured Aloysius. As Aloysius begged for his life, the God of Carnage didn’t even bite him. He held Aloysius down in a bowl of water until he ceased to struggle and fight for air. Then he plopped poor bloated Aloysius into the bowl usually left for Fancy Feast and walked away.”

“That does sound unnecessarily cruel,” Erasmus said, “But, I wouldn’t put such behavior beyond a mortal cat.”

“Have you slain such a creature, as you call, a cat?” Atticus asked.

“Oh, God, no,” Erasmus said, losing his patience with these country mice. “They are too big and deadly. I just try to steer clear of them. Haven’t you simpletons ever been taught to practice S.L.R.?”

“We have not heard of your magic,” answered Wilhelmina. “All we can do is pray to the great God of Carnage not to sacrifice us for his amusement.”

“Sniff. Look. Run,” Erasmus explained. “It isn’t magic. I’ll show you. Is that sunflower seed still out there?”

“No, Stranger,” Esther said. “Do not throw away your life. Do not tempt the Great God of Carnage.”

“Look,” Erasmus said. “Cats aren’t that bright. Let me show you how it is done.”

The mice led Erasmus to the hole under the oven in the kitchen. “There lie the bowls of this morning’s tragedy,” said one of the mice.

Erasmus crawled to the edge of the stove’s protection. “First you sniff the air for any sign of cat. Then you look to the left and the right for any sign of cats. When it is all clear, you run as fast as you can.”

Erasmus scurried quickly for the seed he saw on the floor.

Then…BAM!

He felt the weight of the cat flatten him to the floor.

Recovering from his leap off the counters, which his owners would have been angry about if they knew he was on the counters, the cat briefly let the mouse go.

Yet, Erasmus was too stunned to move. The other mice under the stove shrieked and began praying fervently for Erasmus’ release.

The cat held the recovering mouse with one of his back paws, as he used a front paw to lick and groom himself. He didn’t want to appear slovenly for his new playmate.

“Would you like to play with me?” the wheat-colored mini panther asked.

“Play?” Erasmus questioned.

“I’m bored,” the God of Carnage said. “My humans go to this thing called ‘work’ and leave me with nothing to do.”

“I thought you were the merciless great God of Carnage,” Erasmus said, then looked to the other mice as if to say, “Ya see, I told you so.”

“My name is Peanut. What is your’s?”

Erasmus began laughing as he’d never laughed before. It was a deep, uncontrolled laughter.

“What is so funny, new playmate?” the cat asked.

“P. P. Pea-nut!” The little mouse couldn’t stop laughing. “Ya-ya you are.”

The mouse laughed some more.

“Why am I so funny?” Peanut asked, perturbed by this mouse’s laughter.

“Don’t you know what a peanut is, you idiot,” the haughty mouse kept laughing. “It is a diminutive little legume that people eat at baseball games.”

More gales of mouse laughter.

“Why, you nincompoop!” Erasmus kept laughing. “You’re no God of Carnage. You’re a peanut.”

With that, Peanut bit off the impudent little mouse’s head and tossed it toward the cowering rodents under the stove.

The mice began to pray, “Oh, Great God of Carnage, be merciful!”

“That’s better,” Peanut said, strutting toward the sunny couch in the next room. “I’m going to take a nap. Try not to disturb me, or you’ll suffer a worse fate.”

Once Peanut had left the room, Esther said, “Is it just me, or do you think that Erasmus character talked way too much.”

“I thought he’d never shut-up,” Wilhelmina agreed.

“Good riddance,” Esther said. “Two newcomers in one day ought to keep Peanut satisfied for some time. I’m tired of this Kabuki theater. We’ve got some real work to do without him meddling.”

Decameron 2020: Bad Blood

Bad Blood
by Art Cerf

Spring Peepers have nothing to do with this story, but we just like this photo.

Stories about him have been around as long as people have told stories…the undead, Nosferstu, Dracula. Perhaps the origin of the name came from Vlad Dracul…Vlad the Impaler, a man with so much blood on his hands that the Devil himself was impressed and offered Vlad life everlasting…but only by night and only to feast on human blood.

Dracula came to the United States after the Second World War, a refugee from Romania. And things went well in this land of milk and…uh, blood. Until 2020.

In late March of that year, he fed on another human only the blood tasted bad…like spoiled milk. And as the months proceeded, he tasted more and more of these poisoned vessels. He never cared about the news so he knew nothing of the pandemic. And when he finally learned of the plague, people were starting to get their vaccine shots.  And when he happened to bite on the them, it was even worse, rancid butter, rotting fish.

As the days went on, he became weaker and weaker, so few people either without Covid or without the vaccine.

In fear of starvation, he decided he must leave the States and even Western Europe where vaccinations also were ramping up.

Finally, he decided he’d go to a third-world country, poor and overpopulated with plenty to feed on. He narrowed his choice down to either Brazil or India.

 

Pelikan Edelstein Inks Go Under the Sun

I feel that the harsh news must be tempered.

I LOVE Pelikan pens. It is my favorite modern pen brand. I LOVE Pelikan’s Edelstein inks. They are so vibrant and beautiful. I had extremely high hopes for testing them and having far better results than standard Pelikan inks. (I wrote a travel journal at 17 when visiting Germany and bought my first bottle of Pelikan Konigsblau Tinte—King’s Blue Ink, or Royal Blue by regular English naming conventions. I can barely read it, the ink is so faded after nearly 30 years.)

Look how vibrant and beautiful Pelikan Edelstein inks look when fresh on the page. Do you see what happens to them after 3 months in direct sunlight?

As fate would have it, I bought out an ink collection this past winter. There were more than 270 bottles of ink. Among the bottles were 12 different colors of Edelstein ink and 3 bottles of standard Pelikan inks, which I had not previously tested. Also included in this test are two non-Pelikan related inks.

Assisting me in this endeavor was my ever-more talented fiancé Dawn. You can immediately tell which test sheet is her’s by it being so much easier to see and read.

Pelikan inks were first started by German chemist Carl Hornemann in 1838, making Pelikan one of the oldest and most successful continuously operating ink companies in history. Yet, the company wasn’t really known as Pelikan until chemist Günther Wagner took over the company in 1871 and started using the Pelikan logo. The gemstone-inspired Edelstein inks were first launched with great success in 2011.

Our ink-fast test methodology remains simple. Put one sample in a sunny window for three months and one sample in a dark, cool place and check out the differences.

WOW!

Pelikan regular inks fare badly in three months of UV light. However, No. 5 Aonibi does very well.

None of the Pelikan inks withstood 3 months of UV light from the sun very well at all.  The beautiful Amethyst turned from purple to a faded brown. Blue-grey Tanzanite also turned colors to a faded brownish. My favorite Sapphire almost completely disappeared. So did Jade, Ruby and Topaz. When applied very thickly, Aquamarine, Olivine, Mandarin and Adventurine kinda held out. Only Garnet seemed to survive mostly intact.

Moving on to the standard Pelikan inks, Brilliant Red almost disappeared completely, turning a very faded yellow. Violet and Brilliant Green also lost about 70% to 80% of their color and visibility.

Our two non-Pelikan contestants were No. 5 Aonibi, which is a lovely blue-black when fresh and Organic Studio “N,” which is a stunningly beautiful sheening blue. Although I’ve never heard of No. 5 Aonibi, it held its own quite well in this test. Of the 17 inks sampled, it won the contest of looking the most like it did when it was first put to paper.

Organic Studio “N” could easily win the contest to be my new favorite blue ink, but it inexplicably turned black in the sun. That is way better than fading to near invisibility, but I really wish it held its true color when fresh on paper.

How Do I Start Collecting Pens: Fake Montblanc Serial Numbers

This is one of the most convincing fake Montblanc fountain pens we have ever seen.

After 14 years in the pen business, I have just encountered one the very best fake Montblanc pens I’ve ever seen. It came with a collection of vintage pens for appraisal. I had been told it was a Montblanc rollerball, and it looks very much like a Montblanc Classique. The appraisal customer told me it was a LeGrand.

A quick inspection showed it had a serial number in the clip band, Pix written under the clip, perfect cap band nomenclature. It came with a convincing box and set of papers!

My first clue something was wrong came when I tried taking off the cap. A true Classique has a slip cap. This cap was threaded…and LeGrands are supposed to be threaded…though this pen was too skinny to be a LeGrand. Open the pen, and it took an authentic Montblanc rollerball refill. But, inside the barrel was a metal threaded space when there are no metal threads in an authentic MB Classique. There was so much right and wrong with the pen.

That’s when my brilliant fiancée recommended searching the number on the clip band.

EN1340798 is one of the most frequently used serial numbers on fake Mont Blanc pens.

Lo and behold, this pen turned out to have one of the most faked numbers for faux Montblanc pens: EN1340798. Research quickly showed it on fountain pens, rollerballs and ballpoints.

In a security fail for the actual Montblanc company, they don’t track their serial numbers. As such, many, if not most, MB serial numbers are not assigned to a pen owner or provenance of any kind. Montblanc has even acknowledged that sometimes it reuses serial numbers! Ironically, this makes the very security measures the company uses to authenticate its pens that much less secure.

In an effort to help separate the real pens from the fakes, please write in the comments section any other serial numbers you know to be fake. Thanks!

Decameron 2020: Invasion

Invasion
by Art Cerf

Emerging from a fog, the New London Lighthouse symbolizes all of our emergence from the fog of pandemic.

The troops were nervous but well prepared…insertion at 0900 hours.

Intel had warned the enemy might already be in the area, so they must be prepared to fight from the instant they land.

However, the insertion went well, giving the troops time to examine the entire area, set up defensive positions and locate good ambush sites. They’d need to since they were told there would be no more troops coming for three weeks so they had to hold no matter what!

*************

“Now that wasn’t so bad,” said the nurse as she withdrew the needle from the injection area and placed a bandage on his arm.

“No, not so bad at all,” said the recipient. “See you in three weeks.”

Pen Collecting Time Capsule

Here are two 5″ X 7″ pen catalogs from 1994! I was intrigued by the Menash catalog as I don’t know what became of that company.

Leaving the pen-collecting life behind, a friend of mine has given me his stash of catalogs and advertising from 1992 through 1994. Its contents blew my mind.

Most of the material was from 1994, the spring I graduated high school. While it is difficult for me to comprehend that was 27 years ago, what is harder to comprehend was how big pen collecting was becoming that long ago!

I found my first fountain pen in 1985 when I was 9 and adored it. It belonged to my late grandfather, and it still worked: a 1928 Sheaffer Lifetime Balance. I used it until it finally broke down, and I became obsessed with finding other fountain pens. They just didn’t exist. Not in my 10-year-old world or the various circles I moved in. I asked adults for them, and all the adults laughed and said they threw their fountain pens out years ago because ballpoints were “so much better.” Even then, I knew that was heresy.

Sheaffer sent me an Imperial to replace my grandfather’s pen, which they could no longer fix. I snatched up those terrible Sheaffer Student Pens at the grocery store. Yet, I was the only person of any age I knew who loved fountain pens. Studying German while in a San Diego high school, my teacher told us that most German kids and adults still preferred using fountain pens. San Diego had no pen stores that I knew of, and the internet did not exist. I worked a part-time job and saved most of my money to pay for my trip as an exchange student to Germany. Most of my fellow American exchange students saved up their money so they could drink heavily in a nation where the drinking age was 16. I begged my German family to be taken to a proper stationary shop. I gleefully purchased a stub-nibbed elegant black Rotring and a bottle of Pelikan royal blue ink. I wrote with that poor beast until its threads wore off. It wasn’t until the internet got more advanced that I could search for fountain pens and finally start finding them in about 2005.

A 1992 edition of “Pen Finder” by Glen Bowen.

And sooo, it surprises me now to see that while I was searching the world over for fountain pens, there was a ground swell of people who did still love fountain pens…and vintage pens, at that! Plus, many of the people I know on the pen show circuit were innovators of the vintage pen revival.

For example, when I first met Glen Bowen, I did not know he founded “Pen World” magazine. He had already sold his stake in it, but his wife Susan was still the circulation director at Pen World. She and I bonded over the fact she went to journalism school at Northwestern with my father. When she later introduced me to Glen, I thought he was just a pen newbie helping his wife at the Pen World table. Ooops!

In this stack of publications is a protean “Pen World” magazine catalog he published in 1992 called the “Pen Finder.” It was printed at the same time as the early “Pen Worlds” but was a catalog of vintage pens he restored that collectors could buy. You had to subscribe to it. There were simply several glossy photos of capped fountain pens and some inner pages that served as an index of what the pens were and how much they cost. No nib photos. As people didn’t yet know the history of the pens as well then as they do now, I think I even spotted a few pens with mismatched caps and barrels.

The catalog index of pens for sale in “Pen Finder.” Back then it was too expensive to print color on every page of a magazine. As such there would be color pages and B&W pages.

Without the internet, vintage pen research was a slow and ongoing process. So many of those early collectors had to do their own research into the histories of pens. And much of that was very hit and miss. The internet really made it easier for everyone to get together and compare notes and research.

I love the low-tech feel of these publications. The world-famous Fountain Pen Hospital vintage pen catalog was just a photo-copier copy of pens and prices. Bexley Pens advertised new models with a beautiful glossy photo paired with a home-printer list of features and benefits.

The more professional catalogs for new merchandise were more sophisticated, but I sure as hell wish I could get my hands on some of this Montblanc and Omas at their original pricing. Brand-new, factory-fresh Montblanc 164 Classique models for $99. Omas fountain pens for $325 to $100! FPH was selling a stash of 14k gold #5 Waterman MUSIC NIBS for $50 a piece!

Vintage pen prices were all over the map. There were rare pens for $100 or $200. Really common pens for up to $800. And, yet, other pen prices haven’t changed. Standard Parker Vacumatics went for around $125.

Ads for the Bexley Giant. Note the glossy one-page sheet paired with a home-printer fact sheet. That was not unusual advertising back then. It was fairly slick and affordable.

When I finally got some guidance from my buddy Hans who taught me about vintage pens and how to repair them in 2005, I felt like we were the last two people on earth who loved old fountain pens. With his instructions, I felt as if I was somehow reinventing the wheel or reviving a long dead religion. Yet, this is evidence I was never truly alone back then. I was just searching in all the wrong ways and places.

It is easy to be glib and say, “Oh, gee, I wish I knew in 1994 what I know now.” While that wouldn’t be untrue, I really wish I knew my pen tribe then and could take the journey with them to where we are today. Fountain pens have always brought me joy, and they clearly bring many other people joy. And while I am very happy we have found each other in this grand and glorious age of the internet, it would have been nice to have learned and shared at an even earlier age.

 

Decameron 2020: Cheating Fate

Cheating Fate
by Art Cerf

Fate travels on the wind and a whim.

Birds are returning for Spring, and we thought you might like this Chickadee, even though it has nothing to do with this story.

It gives a New Jersey auto mechanic tens of millions of dollars in the lottery and a block away, it gives a child cancer.

It favors neither the young nor the old, the rich nor the poor, the red nor the blue, men nor women.

Suzanne LeBouff favors just one thing…Suzanne LeBouff.  She’s a beautiful young heiress with enough money to live in luxury ten times over. She travels the world, buying the best of everything–jewelry, clothing, men or women.

The average person can cheat Fate maybe once or twice in a lifetime. Suzanne LeBouff has cheated it 157 times and counting. If she’s in Istanbul, Fate follows but by the time it arrives, she’s off to the Costa del Sol in sunny Spain. From there, just before Fate’s arrival, she’s in Skagway, Alaska.

For Fate, it’s an irritant, like pebble in your shoe.  It followed her to Patagonia but missed  her by a few hours. The pebble grew in pain like a kidney stone.  Then it was onto Cape Town, Singapore and Perth. By now, Fate was ignoring its job and focused solely on finding Suzanne LeBouff, albeit with a migraine-sized headache.

But finally, it uncovered a tip that its quarry would next appear in Wuhan, China.  So Fate raced there for a final confrontation with Ms. LeBuoff. But after searching the city, she never showed up, apparently changing her plans.

Anger, frustration and pure hatred bubbled over in Fate and there was a toxic, though silent, explosion. And thus was Covid-19 born.

Morale:  Don’t let your anger stay pent up. And, wear a mask!